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简介：因抢劫罪被判十二年徒刑的吉诺（阿兰·德隆饰）刑满出狱，在社工热尔曼（让·加宾Jean Gabin饰）的热心帮助和循循善诱下，他决心痛改前非，重新做人。但信奉“罪犯永远都是罪犯”的警长杰特勒（米歇尔·布盖 Michel Bouquet饰）却仍然不信任他，处处与他作对，最终逼得他走投无路，终于失控杀死了警长杰特勒。经过冷酷、教条的法庭的审讯后，吉诺最终被推上了断头台。　　这是一部对专制暴政和断头台提出强烈控诉和谴责的人道主义电影，深沉的主题和场面常令观众陷入巨大的感情波澜之中。本片在巴黎及其近郊放映时，仅十周内观众人数就高达四十八万人次。1981年，密特朗总统上台后，通过了在法国取消死刑的新法令。

简介：韩磊（李承铉 饰）原本是个富二代，他放荡不羁、挥金如土，不想却被自己最信任的朋友欺骗，一夜之间变成屌丝，一无所有。韩磊的前女友江一丹（张蓝心 饰）对他余情未了，邀请无家可归的韩磊与她同居。　　韩磊和妹妹晓晓（谢金钰殷 饰）偶然得知母亲曾留下一笔“财产”在银行保险柜里，但取款密码跟找韩母做过心理咨询的三个患者的病症有关，想知道密码必须从这三个患者中找寻线索。这三人中有虚荣的拜金女、有贪婪的赌鬼、有自私的腹黑男律师，每个人都是奇葩中的极品。韩磊在与三人的周旋中焦头烂额，华哥带着四个手下又来逼债。与此同时曾经忽悠韩磊投资“海上浮岛计划”的王正道（刘桦 饰）也盯上了韩母留下的财产，并联合自己的侄子小山（张一山 饰）开始部署计划。于是韩磊开始了与各路“英雄好汉”斗志斗勇的逆袭战。　　最后韩磊终于找到密码，才明白原来整个事件其实是韩母精心设计的一个局。韩磊遇到的所有人都是在配合韩母，为韩磊上演一场“救赎”的大戏。韩磊彻底顿悟，决定脚踏实地做人，开始新的人生。患难见真情，韩磊与江一丹的感情也日渐升温，他终于明白什么是真爱，在收获人生领悟的同时也收获了爱情。

简介：本片讲述了三个以字母为代号的男人的神秘冒险经历，时长245分钟，共分为18章节，以魔幻现实的手法表现出阿根廷近代历史文化的变迁，叙事方法新颖独特，长镜头摄影精湛，尽管并不属于大制作，而是小成本的独立电影，但最后的结局却给人以强烈而深刻的印象，是近些年来难得一见的阿根廷实验电影杰作。（08维也纳国际电影节）　　In this adventurous experiment in storytelling, secret identities, missing persons, lost treasures, exotic beasts and desperate criminals are only a few of the elements woven into a grand tapestry of mysteries.

简介：大学毕业后，怀揣着成为一名演员的梦想的万国鹏（万国鹏 饰）孤身一人背井离乡，远赴大名鼎鼎的浙江横店，希望能够在这里打拼出一片属于自己的天地。然而，现实远比想象之中要残酷得多，在这个弱肉强食的世界里，空有一份对于梦想的热情还远远不够，在经历了无数挫折和失败后，万国鹏总算混 出了点名堂，成为了一名专业的群众演员。　　在横店，万国鹏见到了无数和他极为相似的年轻人，他们中，有人最终获得了成功实现了梦想，有人误入歧途人生毁于一旦，但更多的，是经历了千辛万苦却放弃了梦想，回归了平淡的生活。一次偶然中，万国鹏结识了名为王婷（王婷 饰）的女孩，她仿佛一束光，照亮了万国鹏的前路。

简介：The young Marie, daughter of a Thuringian glassblower, violates all traditions after the death of mother and father. To feed herself and her sisters, she became the first female glassblower in the small town of Lauscha in 1890, and her artful glassy Christmas balls find themselves in America.

简介：The setting is Vienna in 1914 before the outbreak of war. The aristocratic and somewhat jaded Prince Nicki, pursued by all the ladies, begins a flirtation with Mitzi, a crippled harpist who works in a suburban wine-garden, and who is in turn idolized by Schani, an uncouth and violently jealous butcher. Their first encounter significantly takes place in front of St. Stephen's Cathedral on Corpus Christi day, with Nicki among the emperor's cavalry regiment. Later, in the refracted light of falling apple blossoms in the wine-garden--scenes of a distilled, ethereal beauty--Nicki gradually wins her faith and love. Meanwhile, amidst the sumptuous and corrupt milieu of the family palace, Nicki is drawn into complicity against his will, as his unscrupulous mother informs him he must marry Cecelia, the daughter of a wealthy commoner, in order to revive the family fortune. Mitzi has a vision of The Iron Man (a symbol of the declining power and position of the Hapsburg dynasty) and falls before the crucifix in fear; but her love remains steadfast, and she protests her faith though abused by her mother and Schani. Infuriated by her rejection, Schani threatens to kill Nicki on his wedding day unless Mitzi agrees to marry him. Following the processional splendor of the cathedral wedding, Schani appears to carry out his threat, but Mitzi arrives in time to stop him; and through the downpouring rain Nicki sadly gazes on his true love in the crowd as he drives away with his bride.

简介：为了寻觅清静，汤姆（Lewis Fiander 饰）和身怀六甲的妻子伊芙琳（Prunella Ransome 饰）来到了地处偏远的阿尔曼索拉岛上，这里和煦的天气和秀丽的风光让汤姆心旷神怡，但细心铭感的伊芙琳却发现了其中的诡异。原来，这是一个只有孩子却没有成人的岛屿，对于这一发现，伊芙琳感到十分不安，但他们并没有就此离开，地狱的大门就此打开。　　很快，岛上的孩子们就露出了他们真实的面目——残酷、暴力、泯灭人性，这座岛上之所以没有成年人，是因为他们都死在了孩子们的屠刀之下，面对汤姆和伊芙琳这两位不速之客，孩子们发起了攻击。在追杀之中，身为生物学家的汤姆逐渐发现，一种奇异的病毒，是导致这些孩子们如此疯狂的根本所在。

简介：伊斯麦（路易斯·加瑞尔 Louis Garrel 饰）和茱莉（露迪芬·莎妮 Ludivine Sagnier 饰）是一对产生裂痕的情侣，因此异想天开找来伊斯麦同事爱丽丝（克劳迪德·埃斯曼 Clotilde Hesme 饰）加入他们，试图用三人行为爱情增加激情。但三个人的爱情，终究只是烦恼的叠加，一场争吵之后，茱莉突发心脏急病倒在酒吧。如今剩下伊斯麦和爱丽丝的二人世界，可是愧疚和想念令伊斯麦无福消受，茱莉的家人也开始以“关怀”的姿态进入伊斯麦的生活，尤其是其姐珍娜（基娅拉·马斯特洛亚尼 Chiara Mastroianni 饰）近乎骚扰地出现在他家里，令他快要发疯。为了逃避一切，伊斯麦躲到好友家，却又引来好友弟弟伊旺（格雷戈瓦·勒普兰斯-林盖 Grégoire Leprince-Ringuet 饰）的热烈追求……　　巴黎的雨总是不停息，正如伤心的男人永远走不出一段已死情感的阴影……

简介：时值德川幕府末期，海坂藩的下级武士片桐宗藏（永濑正敏 饰）和母亲（倍赏千惠子 饰）、妹妹志乃（田畑智子 饰），以及女佣希惠（松隆子 饰）过着清贫但安乐的生活。母亲过世后，妹妹嫁给了宗藏的好友岛田左门（吉冈秀隆 饰），而希惠却有个不好的婆家。 一日，宗藏偶与希惠在街头重逢，在得知她 倍受婆家人的欺虐后，他怒不可言，将她背回家中收留养病。宗藏心中对希惠尘封已久的爱恋又重新点燃，但他出于各种顾忌，却没敢表明真心。终于，希惠还是离开了宗藏回到家中。而宗藏的同门师兄弟兼好友狭间弥市郎（小泽征悦 饰）因秘密谋反，被捕后越狱出逃，宗藏受命前去追讨。身怀独门秘技隐剑鬼爪的宗藏，将与弥市郎展开一场生死之搏。

简介：17世纪，中国尚处在清朝统治时期。阴阳混浊，世道艰险。受阴气滋养，许多尸体渐渐化作强大邪恶的僵尸，危害人间。这时期，茅山道士下山铲除妖秽，拯救世人。某墓内将军尸体化作鬼王，威力无比。一群道士与之大战，战斗中发生爆炸，无数人遇难，鬼王和带队的茅山师傅不知踪影，只有四个徒弟逃出生天。　　四名弟子追踪僵尸踪迹来至大方伯村，村中有一以腌制腊肉为生的姜姓富户。姜老爷（于荣光 饰）为儿子讨过几房老婆，却皆死于非命。适逢新一房媳妇过门，四名茅山弟子无意中发现姜家一个奇怪的风俗……

简介：政治部警官任达华，在追查一宗军火案时，怀疑机场海关货仓主管苗侨伟为案中内鬼，苗被停职调查，后更被杀。　　苗的妹妹凤及妹夫吕俱为特警队督察，怀疑苗之死与任有关，决定调查。　　却原来军火案乃苗之上司威龙与黑帮头子高飞合作，为怕苗碍事，将他杀死。现更设计陷害吕一家人。吕之女儿恩恩更无辜惨死。吕、凤誓报此仇，展开一场恶斗。

简介：In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.　　The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.　　As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.　　Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.　　The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.