老女人的钱财

　　一辆转移囚犯的押运车在荒凉的公路上遭到袭击，司机腹背受敌，奋力求生。

　　本片讲述了岭北市女子特警队队员卧底渗透到跨境涉黑赌博集团，萧晨成功潜“格鲁西班"与专案组里应外合!举捣毁了这 犯罪窝点，并成功抓捕了头目萧阳。然而，此时的萧晨发现，所有罪恶的背后还潜藏着一个被称为“虎哥”的神秘人物。

　　全能的神确实存在，并且居于布鲁塞尔寻常住宅？还用电脑掌管一切生命？《小英雄杜杜》鬼才导演继《小国民尼谟》后又一奇幻狂放之作，这次斗胆玩转宗教。原来神不只有独生子道成肉身，还有个反叛的十岁女儿，对人间种种不幸看不过眼，决定离家出走改造世界，推翻暴君父亲。先发短讯泄露天机公布大限，再化身小救主，下凡召集六大使徒，聆听各人心曲，开启《超新约全书》。暴怒的神也追到凡间，力阻女儿造反。天马行空出奇制胜，更有凯瑟琳·德纳芙演富婆使徒，与黑猩猩擦出爱火花。

　　传奇狙击手托马斯·贝克特之子、美国海军陆战队布兰登·贝克特中士受命与战友们从阿富汗前往非洲刚果，对那里的政府军进行培训以使其能够反击叛军。上峰为了撤出滞留刚果边境的白人植物园主，派遣贝克特等人深入叛军盘踞的边境，贝克特一行在见到植物园主后遭遇叛军狙击手袭击，战友全部阵亡，贝克特被猎人马丁救出，侥幸逃生。贝克特携植物园主女儿凯莉返回营地，岂料半路昏厥……当他醒来时，父亲的好友米勒（比利·赞恩 Billy Zane 饰）要对他进行狙击训练，使他拥有复仇的能力，然而陆战队出身的贝克特不齿狙击手的“猥琐”，拒绝训练，但这是他唯一的复仇机会，况且他身上流淌着狙击手的血液……

　　梁通天（任世官）是江湖骗子，以高明的手法骗得多个武林中人钱财，且梁心狠手辣功底深厚，被骗的人多拿他没办法。卡萨伐是一个镖局的总镖头，片头因所保之物被偷换所以受骗而倾家荡产赔了钱，于是有些精神错乱。常大声自问“我不明白”？
　　程小东与孟元文扮演两个小混混，程是酒店小伙记孟以赌骗人为生，两人是好兄弟。在酒馆遇上卡得知此情，孟以他素来骗人的手法拆穿梁通天的把戏，于是程孟二人想帮卡找回钱财，当然是二人贪财。
　　梁通天大概钱赚够了想改头换面，于是躲了起来，大家回不认识梁而找不到他，期间故事的发生就是为寻找梁，而梁又请杀手来杀孟、程二人，老功夫的搞笑场面也比较多，打斗比较扎实是传统风格与程小东后来的上天入地两个样子，由此看来程小东同学还是亦天亦地他都挺精通不单新派武侠场面。
　　卡在片中表现尤为出色，多次秀了他出色的腿技，居然在片尾展示了空中三连踢，最后还打了第四人一下几近疯狂。本片绝对是值得一观的老功夫电影，并且卡萨伐这个超一流韩国腿法高手的片子能看到的本来就不多，大家不妨看看。

　　威尔·史密斯饰演真实历史人物：饱受折磨后逃出美国南方奴隶主奴役的黑人彼得、美国奴隶制的著名“证据”照片的主人公。
　　影片风格被描述为比起《为奴十二年》，更像梅尔·吉布森执导的《启示录》，Willam N. Collage写剧本，故事来自彼得的真实经历：他从奴隶主手中逃出，忍受着冷血的猎人的追杀和路易斯安那州危险的沼泽，一路向北。而当逃到北方军中，接受检查时，彼得露出了自己被种植园中的监工鞭笞得累累伤痕的后背。这一幕被拍成了著名的照片“被鞭打的脊背”(the scourged back)，刊登在1863年5月的《Independent》，以及当年7月4日的《Harper’s Weekly》。该照片成为美国奴隶制残忍暴行的证据之一，发布后推动了废奴运动和促使许多自由的黑人加入联邦军，并流传到世界各地，传言称这张照片使得法国等国家拒绝从美国南方购买棉花。

　　重案组组长李山（李修贤 饰）为人嫉恶如仇，与得力助手阿德（樊少皇 饰）等同事打击犯罪手段强硬，在警局内部树敌不少。最近李山捉获武装抢劫团伙何建东（黄秋生 饰）的手下，得到了其提供的情报，一番布控之下却仍被何逃脱。李山监控何妻电话，根据线索率队前往长洲，李山用何建东的赃款在长洲布下天罗地网，却激起当地居民抗议，各方压力之下不得不收队，然而最后终于将何建东抓获，同何建东一起亡命天涯的团伙二号人物阿诗（叶童 饰）侥幸逃脱。重案组迅速刑讯何建东团伙众成员，但这些悍匪却抵死不交代身份不明的另一成员，重案组反被投诉召来督查室插手此案。此时埋伏在警队内部的何建东团伙成员与阿诗计划将何建东救出……

　　当一个警察和一对危险的罪犯出现时，一个人在农场的生活被打断了。

　　转校生许念念与少年杨燚因误会结下梁子，水火不容的两人展开一系列比拼，本以为是好胜心作祟，却在不知不觉中萌发了情愫。飒爽的少女与中二的少年，就这样一起度过了热血又难忘的高中时光，最后却遗憾地擦身而过……当念念不忘的两人再次相见，他们能否勇敢一场，排除万难直面内心的喜欢？
　　电影改编自张皓宸小说《我与世界只差一个你》。

　　二十年来，查理·斯威夫特一直是一个名叫斯坦的黑帮老大的中间人和杀手。在一个竞争对手的老板对斯坦和他的手下发起一场袭击后，查理其中是唯一的幸存者，于是查理决定为他的朋友报仇，并与他杀死的暴徒的前妻玛茜合作。

　　Set during the Philippine-American war, Heneral Luna follows the life of one of Philippine History's most brilliant military men, General Antonio Luna, as he tries to lead his countrymen against colonial masters new and old, and to rise above their own raging disputes to fulfill the promise of the Philippine Revolution.

　　Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?
　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.
　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.
　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.
　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.