时差五小时·破晓季

《单身厨房》是中国首档以美食制作为轴，展现都市单身新贵才能的美食交友节目。每期节目中都会有一对单身男女现场制作拿手美食，并在过程中互相了解彼此，最终谱写爱情的序曲。

　　由一位明星发起人邀请多位演艺名家和文化学者，从地方志书切入地域色彩，以围绕该地域所创作的经典文学作品为核心，带领观众共赴五大江南文化场域。

《我是冒险王》是青海卫视的一档探险栏目，通过对经典系列探险栏目《冒险王》经过改名与重新包装，《我是冒险王》更适合内地观众的口味。

　　《Super Band》是《Hidden Singer》、《Phantom Singer》的制作组发掘隐藏音乐人的第3弹节目，目标是组成全球化超级乐队。5名评委分别是尹钟信、尹尚、乐童音乐家的李秀贤、Nell金钟万、林肯公园的Joseph Hahn。

《哥哥的少年时代 课间版》是《哥哥的少年时代》的衍生节目，为会员用户放送哥哥们课间十分钟的精彩花絮，展现哥哥们在课余时间里的超有爱互动。

　　《高能少年团》是浙江卫视推出的一档室内+户外多场景式的偶像对抗挑战类真人秀，由王俊凯、刘昊然、董子健、张一山、王大陆5位90后少年偶像担任节目嘉宾 。
　　节目将以真人秀的形式记录每个少年的高能挑战。意想不到的对手、青春奇幻的互动、绝不能输的挑战……每一期节目，5位少年都会 以“VS”的概念对战不同对象，既可以是人、时间、体能、胆量，也可以是内部对战，还可以是对战邀请的外来嘉宾或素人。少年和嘉宾们会将自己积极向上的拼搏劲儿全情投入在有趣的游戏中，并且在完成游戏的开发训练后最终完成当期挑战。“燃”、“向上”和“好玩”永远是节目设计时考虑的第一目标，节目也力争营造出少年们勇于尝试、敢爱敢恨、鲜活真实的形象。

　　Convicted stalkers tell the programme, in their own chilling words, how love turned into a deadly obsession in face first, captivating in-depth interviews.

　　《寿司之神》是由大卫·贾柏拍摄的一部关于寿司的纪录片。他是一个道道地地的纽约客！从小热爱寿司的他被小野二郎的职人精神而感动，干脆扛着摄影机至日本拍摄。
　　现年86岁的小野二郎是全球最年长的三星大厨，被称为“寿司之神”。在日本地位崇高，“寿司第一人”的美誉更远播全世界。终其一生，他都在握寿司，永远以最高标准要求自己跟学徒，观察客人的用餐状况微调寿司，确保客人享受到究极美味，甚至为了保护创造寿司的双手，不工作时永远带着手套，连睡觉也不懈怠。
　　他的寿司店“数寄屋桥次郎”远近驰名，从食材、制作到入口瞬间，每个步骤都经过縝密计算。这间隐身东京办公大楼地下室的小店面，曾连续两年荣获美食圣经《米其林指南》三颗星最高评鉴。被誉为值得花一辈子排队等待的美味。

　　Ancient Worlds is about people and places, politics and economics, art and war, trade and technology, but above all it’s the story of the painful birth and difficult growth of a radical idea first tried and tested some six thousand years ago, and which we are still struggling with today; civilisation. Civilisation has not come easily; it’s something we’ve had to fight hard to achieve, and even harder to maintain, and the greatest threats to it have come from our own talents for destruction. But when we’ve managed to get it right, the benefits have been enormous.
　　When we talk about the ancient world we tend to think of rare and exotic artefacts or the monumental remains of epic architecture; but these are just the empty shells that got left behind when the tide of history turned! The living creatures, the civilisations, that once inhabited these shells were rarely if ever static or stately; they were dynamic, chaotic, and always threatening to spin out of control, because civilisation is based on an improbable idea; that strangers can live and work together in dense urban settings, forging new allegiances that replace the natural ties of family, clan or tribe. It’s an idea we’re still coming to terms with today, but one of the best ways to understand the challenges that are involved is to look at how our ancestors tackled them the first time around.
　　From ancient Iraq to Imperial Rome, Ancient Worlds examines how our ancestors struggled with the levers of religion and politics, art and culture, war and diplomacy, technology and trade in order to keep the complex machinery of their civilisations turning over. Their insights and blind-spots, their breakthroughs and dead ends, their triumphs and disasters are the milestones on the long and winding road that leads directly from their ancient to our modern world.

　　For over 50 years, Hayao Miyazaki has been enchanting the world with his films. Tonari no Totoro (My Neighbor Totoro), Mononoke-hime (Princess Mononoke), Sen to Chihiro no kamikakushi (Spirited Away), or his latest film Kimitachi wa dō ikiru ka (The Boy and the Heron), to name only a few of eleven feature films, ten short films, several manga, and also through Studio Ghibli, a museum and a theme park. They form a luminous body of work and characters that have become cult classics. Miyazaki’s films, often autobiographical, also reflect the state of the world and the turmoil of the twentieth and twenty-first centuries, made of wars and ecological disasters. He was born in Japan in 1941, during World War II. As a child, he immersed himself in drawing manga until he had a revelation upon discovering Hakuja den (The White Snake Enchantress), the first Japanese colour animated film by Taiji Yabushita. From then on, he decided to devote his life to animation, this magical art capable of overcoming the darkness that had always deeply inhabited him... Thanks to exceptional access granted by Studio Ghibli to numerous film excerpts and rare Japanese television archives, we discover the life of Miyazaki as well as a profoundly ecological body of work that questions our relationship with the natural world and living beings. Thinkers like anthropologist Philippe Descola or philosopher Timothy Morton, as well as close associates, his son and film director Gorō Miyazaki, and Toshio Suzuki, his longtime producer and friend, bring us closer to this tireless, obsessive, and mysterious artist.

　　这部辽阔壮观的纪录片系列跨越数十亿年历史，带领观众见证我们这个宇宙中发生过的惊人故事，解析这些事件如何与地球上的生命产生密不可分的关联。

　　永庆升平