播放记录

837
2.0

魅影危程

导演:
马特·狄龙
主演:
马特·狄龙,詹姆斯·肯恩,娜塔莎·麦克艾霍恩,热拉尔·德帕迪约,斯特兰·斯卡斯加德
别名:
幽灵城市 / 幽灵之城
2.0
837人评分
英语
语言
2002
年份
柬埔寨人文风景片
备注
简介:

  美国部分州遭受飓风灾害,许多人流离失所。保险公司职员杰米(马特·狄龙 Matt Dillon 饰)还没有从这场突如其来的灾难中回过神来,就被联邦调查局的人员找上了家门。原来,经过调查,他所在的保险公司根本就是个空壳,并且涉嫌诈骗。许多受灾的居民投了该公司的保险,但现在却面临着一无所有的局面。作为该保险公司唯一的职员,杰米既困惑又愤怒,决定躲过美国联邦调查局,只身前往柬埔寨向同僚索取保险诈骗金额股份。
  然而,到了柬埔寨,杰米发现事情并没有想象中的那样简单。同样想追回保险金的同事卡斯帕(斯特兰·斯卡斯加德 Stellan Skarsgård 饰)言辞行为十分怪异,而大老板马文则远在泰国曼谷,不日将返回。杰米原本想再度赶往曼谷,但不料柬埔寨的第一天,他的护照就不翼而飞。杰米既气愤又焦虑,周围的人看起来一个个都心怀叵测,唯独朴实的三轮车夫阿索才是他真正可靠的朋友。在这个古老的国度里,杰米陷入了谜样的境况,有人被杀,有人失踪。在危急时刻,杰米被所谓马文留下的字条引到笑脸街,遭到一群高棉人的殴打,幸好阿索舍命相救,才得以幸免于难。与此同时,他与马文的关系也变得扑朔迷离,找不到护照的杰米已经走上了一条不归之路。在这个异国他乡,他对来柬埔寨工作的美国女孩索菲产生了好感。尽管心中有所不甘,但杰米知道此时的爱情来得太不是时候。在这个陌生的国度,他对索菲的关心可能会让她陷入危险之中。

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244
3.0
已完结
情场现形记
3.0
更新时间:05月19日
主演:鲁道夫·克里斯提,杜邦小姐,梅·布希,莫德·乔治,埃里克·冯·施特罗海姆,戴尔·富勒,塞萨雷·格拉维纳,马尔维娜·波罗,奈杰尔·德·布鲁里亚,罗伯特·艾德森,哈里森·福德,瓦莱丽·杰曼普莱兹,玛丽·菲尔宾
简介:德国移民的名导演埃里克.冯.施特罗海姆花费了一百三十万美元和十一个月的时间摄制而成的超级文艺片,原拷贝长达五小时,公开上映时浓缩成三小时半。由于耗资惊人,好莱坞大亨本来对埃里克颇有微词,后因本片获得意外的卖座成功而作罢。故事以1919年的蒙地卡罗为背景。埃里克扮演一个欺骗美国外交官女儿的白俄亲王,靠着剥削他的情妇----一个貌丑的女仆为生。由于性虐待狂的驱使,他强奸了一个不幸的白痴女子。最后,他被人杀死,他的尸首很有象征意义地被扔在臭水沟里。埃里克对自然主义情有独钟,希望把一切情史都在画面中表现出来。他特地在加州海边搭建起蒙地卡罗的赌场和雄伟宫殿的布景,并且在采光上有十分大胆的处理方式。影像上也富于感官刺激的煽情暴力场面,甚至劳烦电检单位剪掉了其中的一些镜头。在片中,埃里克用一种辛酸的悲观主义眼光来观察人类,对上层社会的腐朽和封建作出激烈的抨击,流露出一种愤而感伤的怜悯色彩。而对低下层的人物和被骗上当的女子,则寄予同情的关注,表现出独特的“埃里克式人道主义精神。
2913
1922
情场现形记
主演:鲁道夫·克里斯提,杜邦小姐,梅·布希,莫德·乔治,埃里克·冯·施特罗海姆,戴尔·富勒,塞萨雷·格拉维纳,马尔维娜·波罗,奈杰尔·德·布鲁里亚,罗伯特·艾德森,哈里森·福德,瓦莱丽·杰曼普莱兹,玛丽·菲尔宾
盲目的丈夫们
862
9.0
已完结
盲目的丈夫们
9.0
更新时间:05月19日
主演:萨姆·德·格拉斯,FranceliaBillington,埃里克·冯·施特罗海姆,FayHolderness,RichardCumming
简介:Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version  The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski)  From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
873
1919
盲目的丈夫们
主演:萨姆·德·格拉斯,FranceliaBillington,埃里克·冯·施特罗海姆,FayHolderness,RichardCumming
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