野夏天

简介：Several of Korea's most acclaimed filmmakers, including Park Chan-wook (OLDBOY), explore the nature of discrimination in this provocative anthology.

简介：本片讲述了十九世纪初期，祖鲁人反抗欧洲殖民者战争初期，一个英军要塞被围攻并且反击胜利的故事

简介：本片据史蒂芬·弗莱的同名小说改编而bbb。事业失意的诗人泰德·华莱士被他的朋友洛根邀请到其乡村庄园小住一段时间。由于最近在庄园里发生了一些奇怪的事情，泰德开始调查事情发生的原因。15岁的少年大卫·洛根，在洛根夫妇看来拥有一双有治愈能力的双手。洛根夫妇准备在聚会上向客人公开大卫的天赋，但是被泰德用一些奇特的方法证明那些奇怪的事情其实是一个骗局，从而挽救了大卫之后的尴尬局面。

简介：Plot unknown. Follow up to the 2012 romantic comedy 'Student of ysgou.cc the Year'.

简介：乐队主唱键司害怕乘坐飞机，一次机会他的乐队要到韩国首尔进行演出，因此他决定通过出租车从东京到汉城，当他的日本出租车到达釜山的时候， 当地的出租车司机都感到震惊。一路囧途，当他一切准备就绪后，发现演唱会被取消，他的同事已经返回日本，在汉城他的出租车不见了，他怎么回家？

简介：大卫（克里斯托弗·高哈姆 Christopher Gorham 饰）的妻子身患绝症，在不久之后就永远的离开了丈夫，只留给了大卫一个年幼的儿子帕特里克（朱利安·费德 Julian Feder 饰），就这样，大卫成为了一名单身父亲。帕特里克是一个特殊的孩子，他患有自闭症，这令大卫本就困难的单身父亲的生活雪上加霜。从前，都是妻子负责和帕特里克沟通，如今这件事落到了自己头上，大卫发现自己竟然不知道如何开口，也并不了解儿子脑袋里整天都在想些什么。　　生活对于帕特里克来说也是一样的困难，在绝望年前，大卫和帕特里克同样的选择了躲进自己的世界里——大卫找到了一份非常繁忙的工作，全身心的投入其中，而帕特里克则躲进了自己幻想中的魔幻视界里。

简介：像世界上那些的孩子们一样，桑提亚格（库诺•贝克饰）有一个梦想，就是成为职业足球运动员。但是，身居洛杉矶贫民区的他，只是个墨西哥来的穷小子，职业足球运动员，对他仅仅是一个梦。直到有一天，命运的大门向桑提亚格敞开，英国超级联赛的纽卡斯尔联队向他敞开了大门。突然间，桑提亚格成为了阿兰•希勒、马丁•泰勒、大卫•贝克汉姆等人中的一员。幸福来的太快让桑提亚格迷失了方向，职业球员的训练远比他经历过的困难，面对挫折与挑战，桑提亚格向着自己的球星之梦前进。

简介：艾伦·佩吉（Ellen Page）正在洽谈主演索尼哥伦比亚影业翻拍的1990年恐怖片《灵异空间》（Flatliners），该片又名《别闯阴阳界》或《脉搏探测器》，将由瑞典版《龙纹身的女孩》导演涅尔斯·阿登·欧普勒夫（Niels Arden Oplev）执导、《源代码》（Source Code）编剧本·瑞普利（Ben Ripley）改编。　　《灵异空间》讲述几个医学院的学生为了体验死后的感觉进行了一项大胆的试验：他们瞬间停止心脏跳动和大脑机能，达到临床死亡状态，然后很快恢复。试验成功了，但他们始终无法忘却那恐怖的濒死体验，而且有些东西似乎也随着他们死而复活来到了阳间。

简介：Amra is growing up in the Mongolian steppe between herds of goats and YouTube videos. His hopes and dreams revolve around someday performing onstage in Mongolia's Got Talent. However, the fight against the exploitation by gold mining companies and the campaign for a viable environment soon challenge the boy's eclectic talents.

简介：丹努士在在一次竞标中，因为他谦逊的态度，夺得了60亿卢比的工程，得罪了南印最大的建筑公司的boss卡卓尔，因此被针对，失去了所有，最终他会如何反败为胜？

简介：剧情简介暂缺，敬请期待

简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor