格鲁特码头

简介：大菩薩峠の頂上。机龍之助（市川雷蔵）は、居合わせた年老いた巡礼を一刀のもとに斬り捨てた。祖父の死に驚いたお松（山本富士子）は、怪盗・裏宿の七兵衛（見明凡太朗）に助けられ、江戸へ向かう。一方、龍之助は、御嶽山の奉納試合の相手・字津木文之丞の許嫁・お浜（中村玉緒）から、勝ちを譲るよう頼まれるが、これを断り、試合の中で文之丞を斬り倒す。そして水車小屋で悲嘆に暮れるお浜の操を奪った龍之助は、お浜を妻として共に江戸へ向かう。江戸で龍之助は新徴組に出入りし、近藤勇（菅原謙二）、芹沢鴨（根上淳）、土方歳三（千葉敏郎）らと知り合う。文之丞の訃報を知った弟の兵馬（本郷功次郎）は、龍之助の妖剣を討つべく、剣聖・島田虎之助（島田正吾）に学ぼうと江戸へ向かうが、お松と出会い、恋に落ちる。兵馬は龍之助の行方を突き止め、果たし状を送りつける。兵馬に討たれてくれと龍之助に頼むがお浜だったが、龍之助はお浜を斬り、江戸を後にして京都へ入る。途中、お浜そっくりのお豊（中村玉緒）を助けた龍之助は、芹沢をたよって新選組に入り、兵馬もまた近藤の世話で新選組入りする…。かつて大河内伝次郎や片岡千恵蔵が演じた虚無の剣士・机龍之助役に市川雷蔵が挑んだ「大菩薩峠」三部作の第一作。大衆小説の名作として名高い中里介山の原作を衣笠貞之助が脚色、監督を三隅研次が務め、ロマン漂うキメ細やかな演出を見せる。雷蔵は、クールな持ち味を発揮し、妖剣「音無しの構え」をあやつり、行く先々で波乱を巻き起こす机龍之助役を見事に演じ切った。また中村玉緒が、お浜、お豊の二役を演じ、妖しい女心を振りまく。

简介：Since ancient times, a tribe on the African continent has been prophesying that a white boy will arrive to be their god the Son of the Moon. David, a 12-year-old orphan who lives in Europe, learns about the prophecy and believes that he is the chosen child and that destiny must be fulfilled at any cost. Before David can fulfill his prophecy he must escape the heavily guarded scientific organization that has adopted him. David's strange behavior and the fact that he possesses extrasensory perception, has attracted the attention of an organization researching so-called prodigious beings in the occult tradition. David soon discovers that their goal is to channel the moon's energy into a child yet to be born, robbing him of his rightful place as the Son of the Moon. Two women, Victoria, a member of the center, and Georgina, the future mother of the supposed moonchild, will help David fulfill his destiny. After several attempts David manages to escape the center and undergoes a series of new experiences love, adventure, supernatural events and even death. David is relentlessly pursued, pushing him further towards his goal, towards Africa where his fate awaits him.

简介：在一暴风雨晚上，服装业家周宏业驾车回家途中，发现一个不知名的妇人倒卧路旁，将她救回家中，才知是一名孕妇，且即将分娩，周妻唐静如手足无措，宏业外出觅医途中竟惨遭车祸，孕妇产下女婴婷婷後，留书离去，希望静如收养女婴……

简介：阿伦（蓝正龙 饰）与安琪（李康宜 饰）是一对恋人，却不懂如何好好爱对方，宁愿选择荒谬的方式折磨对方。秀秀是一名从婚姻失败中逃离出来的女子，他租下了安琪旁边的房子，安琪很快与秀秀成为了好友，彼此无话不谈。而安琪并不知道，秀秀就是阿伦日思夜想的初恋女友。　　两女得到了算命先生的提示，说到北海道寻找一口古井，在大年初一的早晨找到那口井困扰她们的感情问题便能得到答案。二人决定年三十来临之际，出发到日本去……

简介：西耶娜·米勒、迭戈·卢纳将主演新片[黑暗漫步](Wander Darkly，暂译)。该片由塔拉·米勒(Tara Miele)执导，是一个魔幻现实主义的爱情故事，讲述一对夫妇在一场毁灭性的车祸后，不得不面对种种灾难。

简介：二次大战，一位美军上尉杰克Wosick，负责率领一支杂牌军，别号「野猪部队」，专在敌后从事背后突击纳粹的秘密任务。在一位法国外籍兵团上尉协助下，专门暗杀纳粹士兵。

简介：约翰·R·莱昂耐迪执导，故事讲述生活灰暗不堪的17岁少女(乔伊·金饰)偶得可以实现7个愿望的神秘盒子，然而女孩每一次许愿都引发了可怕的后果。该片目前在多伦多展开拍摄，预计明年上映。

简介：故事梗概：　　明朝末年，居住在济南府的国舅洪彦龙，在重阳节千佛山庙会上，看中了济南府有名才子兰中玉之妹兰贵金，要抢回府中成亲，由于历城知县阻挡，兰贵金才得以逃脱。随后，洪彦龙以赏菊吟诗为名，将兰中玉骗进府中，逼其代妹应亲。兰中玉坚决不允，洪彦龙大怒，把兰中玉锁于客厅，威胁他不允亲事不准出府。洪府丫环春梅深恨国舅的丑恶行为，见义勇为，救出兰中玉。师爷发现兰中玉逃走，紧闭院门搜查，春梅带着兰中玉无处躲藏，无奈上了皇姨的绣楼。洪彦龙的妹妹洪美蓉，忽见一秀才闯入锈楼，又羞又急，春梅向她说明情由，美蓉深恨兄长横行不法，又久慕兰中玉的才貌，决定与他私定终身。 洪彦龙连夜赶往兰家抢亲，历城知县闻讯赶到，救了兰金贵并将师爷带回县衙问罪。洪彦龙以势压人，威逼知县袒护。兰中玉之母黄氏上堂告状，知县亲往两家查明了情况，然后秉公而断，判兰中玉无罪，痛打了洪彦龙，伸张了正义，并成全了兰中玉与洪美蓉的亲事。　　导演：赵瑞起　　编剧：高洁执笔  济南市吕剧团集体创作  于廷臣　　主演：张万真  高秀文  董砚萍  赵士荣  杨德君　　上映：1979年　　地区：中国大陆　　颜色：彩色　　类型：剧情片  戏曲片

简介：拉斯维加斯，世界著名的赌城，多少人成就梦想以及梦想破灭之bbb。然而，除了灯红酒绿的赌场与香飘四处的酒精之外，这里的摩托车冠军赛也极大地吸引着欲以此成就梦想的众多年轻人。激情四溢的卡莱尔兄弟便是此项赛事的众多拥趸之中的一双。然而，最近他们却遇到了相当的麻烦。而困难不仅仅在赛场上，父亲的不幸离世令兄弟二人整日与悲痛做伴，面对即将到来的摩托车冠军赛已是激情不再。r还好，此时有众多好友给予俩兄弟莫大的支持和帮助。哥俩终于克服了生理和心理上的重重阻力和困难，同心协力在这场名为“Suppercrosswwwxiguatv8.com(超越)”的摩托车比赛中获得了胜利。但荣誉在手的兄弟俩却在随后的生活中产生了种种的分歧：在对待生活以及事业的选择甚至连俩人沟通的方式上都有着截然不同的走势……

简介：在发生新冠之灾的2020年。 Itsuka(Non饰演)所就读的美术大学也没有例外，因疫情的影响中止了毕业制作展。 连感到悲伤的机会也没有，只能把作品拿回家的Itsuka。 心中各种各样的感情翻涌纠缠着，对什么事都心不在焉的。 甚至和担心她的父母起了冲突。妹妹Mai也对 新冠产生了过度反应。平时性格冷静的好朋友平井也越来越焦躁。 再这样下去可不行。 与带领Itsuka进入绘画世界的田中的再会，以及与平井心声的碰撞，让Itsuka的内心有了变化。 能撬开通往未来之门的，只有自己—— 人人都感到痛苦的2020年——。 内心照进光芒的青春故事。

简介：全球最大智能玩具公司T-toy的CEO在出席一场新品发布会前发生空难而下落不明，其孙子田大毛与该公司股东马万才成为了新任董事长候选人。马万才在派人去偷取田家的机密时导致田大毛发生意外，田大毛变身成了大毛狗。因为怀疑马万才的助理小雨是盗取机密的主谋，大毛狗在死党杨小书的配合下成功潜入小雨家展开调查。

简介：Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.　　Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.　　Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.　　No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.　　A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.　　Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.　　In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.