乞丐也疯狂

简介：主人公一直和母亲住在一起，从不知道自己的父亲是谁。在几经斟酌之后，一场精彩纷呈的寻父大冒险正式展开的《约瑟夫之子》。

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《科里奥兰纳斯》由莎士比亚的作品改编。原作发生在古罗马时代，大将军科里奥兰纳斯战功累累，却因为倔强的脾气被放逐。科里奥兰纳斯因此纠结过去的敌人进攻罗马帝国，最后他终于被自己的母亲说服，却因此献出自己的生命。电影版把背景搬到了现代的伊拉克战场，“伏地魔”也变身成大将军科里奥兰纳斯。                                                                      　　拉尔夫-费因斯把莎士比亚的著名悲剧选作自己首部导演长片的素材并不是偶然，十年前他在伦敦的Almeida剧场首次出演了科里奥兰纳斯，自那以后，“我对这部作品和它的人物着了魔，我一直有种强烈的直觉，觉得可以把它放到现代的背景，拍成一部电影。”                                                                      　　影片在巴格达取景，但台词则完全摘取自莎翁的原著，费因斯表示“在911事件前后，总是能在媒体上看到各种关于战争的画面，从车臣的兵变、雅典示威，到巴黎的暴乱，经济也陷入动荡，一切都像是发生在戏剧里的情节。”莎翁笔下的《科里奥兰纳斯》也是由一场经济危机作为引子展开。                                                                      　　费因斯很自信把莎翁悲剧搬到现代社会不是难事，“Deborah Warner（注：英国著名舞台剧导演）05年曾把他的《凯撒大帝》现代版搬上戏剧舞台，我在里面扮演了安东尼；96年，巴兹·鲁曼也拍了一部《罗密欧与朱丽叶：后现代激情版》，放在现代的环境里，但说的还是莎翁的原创台词。”影片以伊拉克战争作为背景，编剧约翰罗根表示“我们的第一任总统-乔治·华盛顿-是军人出身，后来的艾森豪威尔、布什等也是如此，原来军队与政治一直与美国文化息息相关，对我来说，这就是最值得探讨的主题。”至于莎翁作品的政治性，费因斯却认为：“他留给观众的是问题，而并非单一的答案，他的人物总是处于思想的困境，任凭观众去想象命运的去向、问题解决的方法。”                                                                      　　尽管《科里奥兰纳斯》才刚亮相，记者们也忍不住打听费因斯是否会再次把莎翁的作品搬上大银幕，他想了想才透露道：“我们之前谈过这方面的东西，虽然我不知道可能性有多大，但我想选《安东尼与克莉奥佩特拉》，不仅仅因为它是个伟大的爱情故事，也因为它的写法很电影化。我想如果莎士比亚生在今天，一定能在电影业如鱼得水。”                                                                      　　《科里奥兰纳斯》成本只有1千万美元，费因斯在发布会上也表示，“我不知道什么时候能再拍一部莎士比亚的电影，为电影拉投资太难了”，他也借机感谢三位制片人。影片在电影节期间被美国的韦恩斯坦影业买下了北美发行权。

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导演卡尔·丹汉姆（罗伯特·阿姆斯特朗 Robert Armstrong饰）为了完成他的电影而来到了荒无人烟的骷髅岛。一只巨大的非洲大猩猩金刚居住在这个与世隔绝的岛上。然而它却被卡尔逮住并带到了纽约，在那里它成了供人观赏的怪物。卡尔一直为没有找到适合的女主角而烦恼，直到他遇见了貌如天仙的美丽女孩安·达罗（菲伊·雷 Fay Wray饰）。而此刻，金刚也深深地爱上了安。                                                                      　　1933版本的黑白影片《金刚》，融合动画、真人和模型为一体，开创了特技片的先河，在当年取得了巨大成功，轰动一时。“金刚”也成为日后影坛翻拍无数的英雄角色。本片荣获2006年第32届美国电影电视土星奖-最佳经典影片DVD提名。

简介：Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.　　To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.　　(Howard Schumann, talkingpix.co.uk)　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.　　(Dennis Schwartz, homepages.sover.net)　　I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.　　(Dave Sindelar, scifilm.org)　　See also the remake Death Takes A Holiday (1971)

简介：Touda only dreams of one thing being a Sheikha, a traditional Moroccan performer. She belts out songs about resistance, love and emancipation, passed down from generation to generation. Every evening, she performs in bars under the gaze of men in her tiny village while hoping for a better future for her and her son. Disrespected and shamed, she sets her sights on leaving for t...

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故事发生在1953年，彼时，韩国和朝鲜之间的争斗正值最盛之时，国内情势十分紧张。南福（薛景求 饰）本是老实本分的农民，靠着土地吃饭，虽然日子过得紧紧巴巴，但也不失宁静和祥和。战争的到来彻底改变了他的命运，应召入伍后，对如何打仗一无所知的南福就这样糊里糊涂的成为了一名大街上随处可见的韩国下等兵。                                                                      　　某日，上司将一份十分重要的机密文件交给南福，命他送往指定地点，这封文件是如此的重要，以至于关系到战争的成败。然而，南福却将文件给搞丢了，而这份文件又恰恰被朝鲜人民军的士兵荣光（吕珍九 饰）给拾到了，在两人之间，一场你藏我找的猫鼠游戏就此拉开序幕。

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锡德尼•普雷斯科特（内芙•坎贝尔饰）的母亲去世一周年，这个本该平静的加州小镇变成了一片血海！两名学生被残忍地杀害，凶手是一位带着面具的恐怖片爱好者。警方将锡德尼的男友比尔•卢米斯（斯基特•乌尔里奇饰）定为嫌疑犯，并予以逮捕。但这时又有命案发生！神出鬼没的面具凶手仿佛死神般带走一个又一个生命，但凶手的真面目却无人知晓。夜幕降临，凶手将锡德尼身边的人一个个杀害，而被害人只能在被害前惊声尖叫。谁能够从凶手的刀下躲过，谁能揭开凶手的面具呢？

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美国怀俄明州的西部，沉默寡言的农夫恩尼斯（希斯•莱杰饰）和热情开朗的牛仔杰克（杰克•吉伦希尔饰)一道被派到山上牧羊，那里人迹罕至，他们只有与羊群为伴，生活单调无味。一个天寒地冻的夜晚，在酒精与荷尔蒙的作用下，他们做了“不该做的事情”，也就此他们在断背山上度过了人生中最美好的时光。                                                                      　　季节性放牧结束，迫于世俗压力，杰克和恩尼斯不舍地与对方分离并各自结婚生子。恩尼斯迎娶了自幼相识的阿尔玛，并有了两个可爱的女儿；杰克到了德州，在妻子露琳家族的扶植下事业顺利，还有了个儿子。虽然彼此真心相应，他们只能每年定期约会。一边知情的阿尔玛痛苦无比，而他们又无法满足一年只有几天的团聚。这时意外发生……

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故事发生在1950年代。蒋匪特务郭浩（卫禹平 饰）奉命潜回大陆与大盖山残匪接头，策应美国的朝鲜战争。侦察科李科长（艾洪力 饰）和侦察员王英（陈天国 饰）接手了侦破任务，首先摸清楚敌联络站的位置。郭浩交给百货店老板林金标（郑敏 饰）一个重要任务，要他搞到我军海防布署情报。林找到在粮局工作的郑希达（丁然 饰），后来又找到早已自首的特务李彬（江山 饰），而李彬则向他们介绍了化装成猎户的王英，王趁机打入敌内部。方局长（中叔皇 饰）掌握了准确情报后，对收网行动进行了严密布置。郭浩要郑希达提供我军军粮供应资料，并许以二十块金条为诱饵，就在他窃取资料得手后，却被郭浩毒死了。正当内外敌人感到大功告成时，天罗地网已撒开了......

简介：The screenplay follows the titular Horia, a cautious teenager living in a Romanian village, who is pining for his crush who lives on the other side of the country. After a fight with his father, Horia leaves home on his dad’s motorbike and, soon after, meets street-smart 13-year-old Stela, who is running away from her family. She may be younger than Horia, but she is definitely...