蒙面舞王

　　捕鱼是一项辛苦的工作，而捕蓝鳍金枪鱼则让人精疲力尽。在马萨诸塞州的格洛斯特，有一群特殊的渔夫，他们世代用钓竿和鱼线捕捉行踪不定的蓝鳍金枪鱼。他们以此谋生，蓝鳍金枪鱼数量稀少、价格高昂，是日本寿司的最高级食材，因此这行竞争异常激烈。

　　National Geographic explorers have the best jobs ever! Find out what it's like to explore black holes, climb mountains, and go deep-sea diving for a living.

　　456 名真实玩家将参加比赛，争夺改变人生的 456 万美元奖金。这一系列游戏的灵感来自原版节目，并添加了令人惊讶的新内容。在游戏中竞争时，玩家的战略、联盟和性格将受到考验，而周围的竞争对手将逐一被淘汰。

　　如果身处浪漫韩剧中的亲吻场景，人们真的会坠入爱河吗？这是一档真人约会节目，围绕来自韩国和日本的 8 位男女演员展开，他们一起生活，并两两结对，尝试在 6 部迷你韩剧中担任主角，看看是否会坠入爱河。他们能和自己喜欢的人一起试镜成功吗？还是眼睁睁地看着自己喜欢的人亲吻自己的对手？梦想、爱情、友谊跨越韩日国界交织在一起，以非常现实的方式营造出韩剧最纯粹的心碎和悲伤。

　　十个人在荒野中独自生存，最后幸存的一个人获得奖金50万美元！
　　10 survival "experts" attempt to survive alone. The winner receives $500,000.

　　《年轻的战场》是以乐华娱乐为蓝本打造的一档职场类真人秀节目，以杜华和她的员工伙伴、艺人伙伴的日常工作状态为切入点，记录他们在工作中发生的鲜活且生动的对话、展示真实又紧张的工作模式、揭露了娱乐公司鲜为人知的运营生态和竞争现状。节目旨在引领观众于职场情境中寻得共鸣点，进而促使他们能以积极态度面对工作中的压力与挑战，与节目中的普通员工和新晋艺人一起并肩成长，调整自我心态，勇往直前，共同传播职场中的正向能量。

　　13短片合集。普优的获得最多笑场，一个流氓知识老头奚落着所有邻国，匈牙利、美国和吉普赛，世界上三大强盗；戈达尔继续着《我们的音乐》讨论shot与shoot以及图片欺骗性；萨拉热窝生长的Aida Begic以士兵肖像嵌入当下城市街景；最感动的是结尾一部，塞族孩子将点球踢飞，跑到穆族墓区寻找。

　　《走近皮克斯》共有四个章节，共20集。这一系列纪录短片将带领大家深入了解皮克斯动画台前幕后的精彩故事。第一章“灵感”于2020年11月13日在Disney+上线，每集约12分钟。
　　Produced by Pixar Animation Studios, Inside Pixar is directed by Erica Milsom and Tony Kaplan, the series offers insights into the personal and cinematic stories that provide an inside look into the people, artistry, and culture of Pixar Animation Studios.

　　东方卫视大型主题节目《时间的答卷》第二季定档10月16日，将带领大家深入到聂海胜、崔道植、叶聪、陈德安、雷雨、冉宏林、李桂林、陆建芬、初雯雯这一个个鲜活的生命背后，探求这些名字中动人的时代故事。据悉，本季节目将首次采用“人生影院”模式，在延续上一季跨时空对话的基础上，在影视、访谈之间构建更加紧密的场景联结和情感衔接。

　　For over 50 years, Hayao Miyazaki has been enchanting the world with his films. Tonari no Totoro (My Neighbor Totoro), Mononoke-hime (Princess Mononoke), Sen to Chihiro no kamikakushi (Spirited Away), or his latest film Kimitachi wa dō ikiru ka (The Boy and the Heron), to name only a few of eleven feature films, ten short films, several manga, and also through Studio Ghibli, a museum and a theme park. They form a luminous body of work and characters that have become cult classics. Miyazaki’s films, often autobiographical, also reflect the state of the world and the turmoil of the twentieth and twenty-first centuries, made of wars and ecological disasters. He was born in Japan in 1941, during World War II. As a child, he immersed himself in drawing manga until he had a revelation upon discovering Hakuja den (The White Snake Enchantress), the first Japanese colour animated film by Taiji Yabushita. From then on, he decided to devote his life to animation, this magical art capable of overcoming the darkness that had always deeply inhabited him... Thanks to exceptional access granted by Studio Ghibli to numerous film excerpts and rare Japanese television archives, we discover the life of Miyazaki as well as a profoundly ecological body of work that questions our relationship with the natural world and living beings. Thinkers like anthropologist Philippe Descola or philosopher Timothy Morton, as well as close associates, his son and film director Gorō Miyazaki, and Toshio Suzuki, his longtime producer and friend, bring us closer to this tireless, obsessive, and mysterious artist.