聂耳

聂耳

高清正片

2.0 |06月05日 |改编自著名艺术家聂耳的真实故事 |共1集
简介:
1930年,在列强统治瓜分的大都会旧上海。为了追寻音乐的梦想,年轻人聂守信(赵丹 饰)告别故乡云南来到上海求学,为了生计,他干着最底层的工作,但是随着国民党反动派压迫的日益加深,守信失业,沦落到某歌舞班担任琴师。此时的他虽然讨厌这种燕语莺声的靡靡之音,可是又不知道未来前进的方向。旧日同学郑雷电的棒喝似乎让他猛然警醒,开始审视自己的音乐人生。在此之后,他接触到地下工作者,初步找到人生的意义。1932,“一•二八”事变爆发,守信和伙伴们为战士唱响了高亢奋进的《马赛曲》。老艺术家的建议让他铭记于心,面对江河破败、百姓离乱、民族危亡的现状,他暗下决心,一定要创作一首中国的《马赛曲》……
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简介:This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.  Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.  One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
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