纽约灾星第一季

星期六 12点更1

作为一档突破传统音综评判逻辑、以传递全民快乐为核心的创新节目，致力于打造具有全民影响力的音综文化符号。超豪华“着魔团”阵容、75组迥然不同的“魔力sir”，覆盖全年龄层，国民金曲魔性改编、跨风格舞台惊喜碰撞。一起赴一场魔性快乐的音乐之约，在刻进DNA的旋律里释放情绪，共同见证“魔力歌先生”的诞生！

　　纪录片跟拍六支足球队及其队长，记录他们争取 2022 年国际足联世界杯参赛资格的历程 — 有人凯旋而归，也有人失意心碎。

Follows the story of Abu Zubaydah, the first high-value detainee subjected to the CIA's program, later identified as torture by those outside the agency.

　　格洛斯特的船长们互相比拼了10个捕鱼赛季，现在面临着全新的挑战：他们要依靠努力回弹的蓝鳍金枪鱼市场谋生。 能屈能伸的船队决定合作共赢，互相协作捕鱼。除了原来的五艘船外，还来了一些熟悉的新船长和一位金枪鱼界传奇人物，他们的技能立即引起所有船队的关注。

相声的封箱是指封箱演出，是在新年前的最后一次演出，因演出后要将各种道具装箱封存，歇班过年而得名。德云社的表演，一年之中最为隆重的就是封箱和开箱两场演出。《德云社甲辰年封箱庆典 2024》是德云社的相声演员为观众呈现的精彩相声庆典，庆典呈现了多种形式的相声作品，带领观众体验相声的魅力。

　　这是一个三个笨蛋rapper重生东山村，用240小时重启人生，争夺村庄代言人的故事。舍弃作为Rapper的aka，回到原本的名字，重生在福建最东的小渔村，从头干起，让村民们爱上我，票选我当“东山鱿物”吧！ 最终选拔出的“东山鱿物”将获得：风车岛巨型广告牌一季度使用权！风车岛永久免费停车券一张。

　　趣美术馆，法国著名喜剧演员为世界名画带来全新的演绎，展现名画背后的奇闻异事。

1889 年，日本九州第一條鐵路開通，幾乎與香港同台灣在同一時期引入。全九州有大約400 個車站，覆蓋幾乎全島所有地區。作為交通樞紐的重要大站可能大家都有去過，部份為鄉民服務的隱世小站則人跡罕至。最舊的車站有百多年歷史，亦有不斷發展的新型車站。無論是JR、私鐵甚至已廢棄路線，由車站出發，到附近社區發掘有趣事物，讓鐵路帶觀眾去到更遠、更美麗的地方。

　　詹姆斯·卡梅隆拍摄于2001年的纪录片，运用了当时最先进的水下设备，重返沉没于大西洋底的泰坦尼克。与一般纪录片不同的是，卡梅隆运用简单的3D技术，重现了船沉时不同人物的反应，增加了一份悲剧色彩。随同卡梅隆一起下水的除了专业人员之外，还有合作过多次的比尔·帕克斯顿，他还担任了本片的解说。

　　Ancient Worlds is about people and places, politics and economics, art and war, trade and technology, but above all it’s the story of the painful birth and difficult growth of a radical idea first tried and tested some six thousand years ago, and which we are still struggling with today; civilisation. Civilisation has not come easily; it’s something we’ve had to fight hard to achieve, and even harder to maintain, and the greatest threats to it have come from our own talents for destruction. But when we’ve managed to get it right, the benefits have been enormous.
　　When we talk about the ancient world we tend to think of rare and exotic artefacts or the monumental remains of epic architecture; but these are just the empty shells that got left behind when the tide of history turned! The living creatures, the civilisations, that once inhabited these shells were rarely if ever static or stately; they were dynamic, chaotic, and always threatening to spin out of control, because civilisation is based on an improbable idea; that strangers can live and work together in dense urban settings, forging new allegiances that replace the natural ties of family, clan or tribe. It’s an idea we’re still coming to terms with today, but one of the best ways to understand the challenges that are involved is to look at how our ancestors tackled them the first time around.
　　From ancient Iraq to Imperial Rome, Ancient Worlds examines how our ancestors struggled with the levers of religion and politics, art and culture, war and diplomacy, technology and trade in order to keep the complex machinery of their civilisations turning over. Their insights and blind-spots, their breakthroughs and dead ends, their triumphs and disasters are the milestones on the long and winding road that leads directly from their ancient to our modern world.