伊曼纽尔的真相
9.0 |05月07日 |HD中字
简介:

  片中卡雅·斯考达里奥饰演伊曼纽尔,她迷上了长得酷像她死去母亲的新邻居(杰西卡·贝尔饰)。为了照顾她新生的孩子,伊曼纽尔陷入了一个虚幻易碎的世界,并成为了那里的守门人…

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欧洲的某个地方
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欧洲的某个地方
6.0
更新时间:05月19日
主演:ArtúrSomlay,MiklósGábor,ZsuzsaBánki
简介:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
5694
1948
欧洲的某个地方
主演:ArtúrSomlay,MiklósGábor,ZsuzsaBánki
火红的杜鹃花
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4.0
全国模范检察官事迹改编
火红的杜鹃花
4.0
更新时间:05月22日
主演:李艳秋,廖京生,宋运成,买红妹,舒耀瑄,苗皓钧
简介:电影《火红的杜鹃花》根据“全国模范检察官”程建宇事迹改编。影片女主人公创作原型程建宇身患严重疾病,20多年来多次生命垂危,却始终以满腔热情拥抱生活,以昂扬斗志与病魔斗争,以坚韧毅力带病工作,在平凡的工作岗位上做出了不平凡的业绩,用拼命工作拉伸了生命的长度和厚度,赢得了人民群众的普遍赞誉。  影片从女检察官程心阳提讯未成年犯罪嫌疑人大虎、二虎开始,两兄弟到小贩郭天龙家讨要被骗走的恐龙化石,争执中,身患高血压的郭奶奶意外倒地死亡,到底是入室抢劫,还是过失致人死亡,程心阳带病坚持调查、取证,安慰孩子的母亲相信法律:“这法律是公正的,你要相信法律,该是什么就是什么,哭闹是不解决问题的。昨天我已经见过他们两兄弟了,都挺好的,放心吧,在里面不会让他们受什么罪的。”  最终,程心阳不仅证明郭奶奶死亡的真正原因是突发脑出血,大虎二虎被从轻处罚,以优异的成绩分别考上了重点高中和省足球队,而且还通过恐龙化石的线索破获了特大文物走私案件,追回珍贵的鹦鹉嘴恐龙化石。
2396
2011
火红的杜鹃花
主演:李艳秋,廖京生,宋运成,买红妹,舒耀瑄,苗皓钧
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