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8.0 |06月05日 |法律系师生的终极辩论 |共1集
简介:

  内拉(卡梅丽雅·乔丹娜 Camélia Jordana 饰)的梦想是成为一名律师,带着实现梦想的决心,内拉进入了巴黎第二大学的法律系深造。从小到大,内拉都是一个非常优秀的孩子,个性难免有些高傲和桀骜,总觉得别人都不如自己。开学的第一天,她就因为迟到和态度傲慢等问题和老师皮耶(丹尼尔·奥图 Daniel Auteuil 饰)之间产生了矛盾。
  内拉和皮耶之间的争吵被好事的学生用手机拍了下来,发布到了视频网站上,没想到竟然因为种族歧视的原因而在网络上掀起了轩然大波,为了解决此事件恶劣的影响,纪律委员会不得不召开了听证会。校长决定让内拉和皮耶参加一场师生辩论大赛。

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简介:Howard Tyler (Frank Lovejoy) is a family man, living in California, who can't seem to get by financially. He meets up with a small-time, but charismatic, hood Jerry Slocum (Lloyd Bridges). Soon, Slocum convinces Tyler to participate in gas station robberies to get by. Later, they kidnap a wealthy man in hopes of getting a huge ransom. Things go wrong when the man is murdered by Slocum then thrown in a lake. Tyler reaches his limit emotionally, and he begins drinking heavily. He meets a lonely woman and confesses the crime while drunk. The woman flees and goes to the police.  When the two kidnappers are arrested, a local journalist (Richard Carlson) writes a series of hate-filled articles about the two prisoners which eventually lead to a brutal lynching.  The despair of the lower middle-class A family man ashamed of being unemployed allows himself to be convinced by a gangster to take part in a kidnapping. The police arrests them both and the anger of the small town’s population is unforgiving. THE SOUND OF FURY is a dark crime movie that builds up to an apocalyptic storm, but never loses sight of social realities, thus telling a lot about the daily despair of the working-class. A masterpiece, it was Cy Endfield’s last film before he felt compelled to move to Britain.
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简介:Synopsis  Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.  Notes  A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea.  A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.  Afterword  - Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.
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