惊天动地

　　刚毅的杰洁·柯林斯上尉（埃尔莎·帕塔奇饰）经历了残酷的现实，在被迫调离五角大楼的梦想岗位后，被派遣负责太平洋中部一个孤立的核导弹拦截基地。当联合进攻同时威胁到基地本身时，柯林斯与蛊惑人心的亚历山大·凯塞尔（卢克·布雷西饰）狭路相逢，凯塞尔是一名前美国军事情报官员，意图实施一项难以想象的计划。时间仅剩下几分钟，柯林斯必须利用她多年的战术训练和军事专业知识来决定她可以信任谁，并阻止凯塞尔和他的秘密雇佣兵完成其扭曲且可怕的任务。
　　《终极拦截》由马修·赖利执导，马修·赖利和斯图尔特·贝亚蒂耶共同担任编剧。迈克尔·布恩担任制片人，监制团队包括马修·斯特里特、斯图尔特·贝亚蒂耶、克里斯·海姆斯沃斯、克里斯托弗·马普、罗伯特·斯拉维耶罗、凯茜·摩根和彼得·D·格雷夫斯。主演阵容包括亚伦·格伦尼、梅恩·梅塔、瑞斯·穆尔东、贝琳达·琼卜维、马库斯·约翰逊、科林·弗瑞尔斯和佐耶·卡里兹。

　　1238年，蒙古大军花费七周才攻克俄罗斯小城科泽尔斯克，事后蒙古人下令将城市夷为平地，并诅咒之为“邪恶之城”。

　　贤俊（宋清晨 饰）是一名漫画家，他和女友多红（李诗英 饰）相恋多年，感情一直十分要好，终于，贤俊下定了决心，决定同多红携手步入神圣的婚姻殿堂，然而，在此之前，贤俊还必须解决一个巨大的麻烦。
　　这个麻烦正是多红的父亲凌光（白允植 饰），凌光的个性十分顽固，而贤俊全罗道的出身势必会令他大为不满。为了获得准岳父的认可，贤俊做出了诸多的努力，然而，当他真正见到凌光之时，还是感受到了现场浓浓的硝烟气味。除了凌光，贤俊的准大舅子，准姑母等人亦是难缠的角色，在重重的困难和挫折之下，贤俊还能够坚持自己和多红之间的爱吗？

　　Brother's Blood takes place on the mean streets of a city in decay, where a recently released convict begins to take murderous revenge against his childhood friends, whom he believes let him take the fall for a crime they collectively committed. As the bodies start piling up, one of the friends, now a cop, will stop at nothing to put an end to the murderous rampage and to right the many wrongs of their tragically violent past.

　　本作改编自南胜久的同名漫画《杀手寓言》，主演为冈田准一。
　　「无论多强的敌人都可以在6秒内击杀他」的天才杀手“寓言”（冈田准一），被BOSS命令去大阪隐居一年，期间不可以杀害任何人。于是他化名为佐藤明，与伪装成自己妹妹的拍档佐藤洋子（木村文乃）移居大阪，在那里他第一次遇见了一般人女性·清水岬（山本美月），本该开始普通的日常生活，但是……

　　南太平洋のウエスター島の石像が大阪の万博に運ばれた折、石像の魔力によって封じ込められていた大魔獣ジャイガーが甦り、万博会場をバックにガメラと死闘を展開する。話題の大阪万国博を舞台にしているが、マンネリ化は食い止められなかった。

　　一名问题高中生大卫，似乎受心理疾病之苦。他莫名被不明人士追杀，因此发现隐藏在体内的暗黑力量，开启通往超能力世界的大门与发现他不为人知的过去…

　　1998年香港近海，赤柬出身的一伙恐怖分子从北韩雇佣军手中夺走了拥有巨大杀伤力的生化武器。双方激战中赤柬成员多特（吴彦祖 饰）受伤失忆，香港警方将其收治。反恐怖组织指挥官马力（周华健 饰）接手此案，将多特身上的磁盘文件破解后始得知赤柬头目食客（甘国亮 饰）和关艾（何超仪 饰）将生化武器夺走后，计划将其射入天空形成剧毒的紫雨，届时香港将变为一座死城。马力与心理专家Shirley（陈冲 饰）合作，使失忆的多特认为自己是警方安插在食客身边的卧底。食客威逼警方交出多特，双方激战后食客成功将多特带走，失忆的多特重新得到了食客的信任并试图履行自己卧底的任务，然而渐渐恢复的记忆令多特左右为难……

　　以张三丰为主线，以元朝末年为背景，讲述了局势动荡的元朝末年，民不聊生，各地义军并起，形成割据之局，为镇压起义军，河南王扩阔帖木儿奉命寻找南宋留下的一处龙脉，在寻宝途中与龙门派丘处机、少年张三丰展开了一场惊心动魄的末世英雄传奇故事。

　　孙祖耀（岳霄冰 饰）在狱中惨死，和他相关的数名官员亦死于非命，狄八方（六冠城 饰）受命彻查此案，他只有七天的时间。李少白（韩朔 饰）和赵菱儿（李美慧 饰）展开了调查，意外发现武林之中的恶人们竟然不约而同，纷纷聚集到了醉仙楼之中，在这里，酝酿着怎样的阴谋呢？
　　原来，恶人们受到了一神秘人物催命鬼的威胁，被其下了毒蛊，以此要挟他们替他卖命，与此同时，五毒教主蓝婆子（刘晨霞 饰）亦现身醉仙楼，她是催命鬼最大的宿敌。一场群魔乱舞的混战在醉仙楼拉开了序幕，而当催命鬼最终丧命之时，赵菱儿发现了一个致命的漏洞，真正的凶手依然隐藏在黑暗之中。

　　京城首富之女阿宝（杨馥羽 饰）陷入了一种被称为“离魂之症”的昏睡状态，无法醒来。萧九和小花妖偶然发现，阿宝并非真的离体，而是受到邪魅力量的干扰。为了解救她，他们决定揭榜治疗。萧九运用入梦神机发现，阿宝的魂魄被法术困住在一个梦境中，而梦中的书生看起来并无特异之处，似乎是个普通人。
　　在唤醒阿宝的过程中，意外地引来了更大的麻烦。曾多次从萧九手中逃脱的蜂后突然现身，并卷入到了阿宝的事情中。与此同时，那位看似柔弱的书生似乎隐藏着某种秘密，而主动现身的蜂后也似乎有着不为人知的阴谋。奇门法师萧九和他的捉妖之路逐渐变得难以控制，面临着越来越多的未知和挑战。

　　Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?
　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.
　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.
　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.
　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.