爸爸的假期

简介：电影《朴花英》导演李焕新作《大人们不懂》公开剧照。由安喜延和李裕美主演。　　该作品入围第25届釜山国际电影节韩国电影的今天-视觉部门，由little big Picture 发行。

简介：65岁的莱斯利（汤姆·威尔金森 Tom Wilkinson 饰）在杀手界里已经算是个名副其实的老人了，职业杀手吃的是青春饭，老板给莱斯利定下了KPI，如果无法完成指标，那么莱斯利将被开除。能够信赖这么一个老人的客户渐渐的不多了，为了达成指标，莱斯利决定将自己的客户目标放在那些想要自杀的人身上。　　威廉姆（阿纽林·巴纳德 Aneurin Barnard 饰）就是这样一个想要自杀的年轻人，只不过他试了好几次都没能成功。在机缘巧合之下，威廉姆遇见了莱斯利，和他签下了一周之内包死的合同。可就在之后没多久，威廉姆便遇上了他的真命天女，这下子，这个年轻人一点都不想死了！

简介：《火星少女队》是由胡啸导演，艾霖、韩东霖、王婷、杨子萱、徐丹、王小熳主演的青春电影。由海南链通科技、武汉链小白影视、光年映画联合出品；光年映画独家宣发的青春励志电影，《火星少女队》定于2020年5月15日爱奇艺独家上线。该片讲诉了刚毕业的女孩夏天有着明星梦想，但却患有严重的镜头恐 惧症，巧合之下，她成为了新女团“火星少女队”的艺人助理， 又在阴差阳错之下顶替了女团队长林岚成为了临时成员登上舞台，最终逆袭成为c位出道的明日之星。 制片人杨子乔 龚偌岚 出品人熊兵兵、宋成钦 影片类型青春、励志、歌舞 出品公司：海南链通科技、武汉链小白影视、浙江咣年印画影业 营销宣传：浙江咣年印画影业 剧情介绍： 刚毕业的女孩夏天正面临毕业期的迷茫，她自小有着登上舞台的明星梦想，却被镜头恐惧症困扰，只要一面对镜头她就会紧张地打嗝。巧合之下，夏天帮助偶像萧然逃脱狗仔队的围堵，为了报答夏天，萧然引荐夏天 成为了公司新女团《火星少女队》的艺人助理。夏天开始了每天跟着火星少女队的女练习生们一 起训练和演出的生活，自己也在过程中努力练习。队长林岚因为舞台事故在舞台考核演出前夕受伤，为了履行对资方四人成团的承诺，经纪人让夏天临时顶替，却没想到她在镜头前打嗝划水的表现引发了网络上巨大的讨论，收获了超高的人气和话题度。为了流量，公司决定让夏天暂时取代林岚，夏天成为了临时练习生，本以为离明星梦想更 近一步的她却遭受到了前所未有的网络暴力、私生饭威胁、自我怀疑等等难题。最终，在粉丝的鼓励、队友的帮助、公司的支持下，夏天重新振作自己，终于站上了属于自己的出道舞台，圆满了自己的梦想。

简介：A young man takes her girlfriend back to his hometown in Oregon to introduce her to his family for the first time, but nothing goes as planned.

简介：私たちの激情は、限りなく白い。　　場末の配管工会社に勤める屋島(不二子)は、「女」である事に違和感を抱えたままの日々を過ごしている。女でいるために男に抱かれたりもしてきたが、足るに至らない。　　ある日、屋島は仕事である家を訪ねる。そこには、中年の父親と若い娘、九(真上さつき)が住んでいる。九の粘ついた視線に戸惑う屋島。　　配管作業中にチラチラ視線を交わすうち、両者の目線は同じ粘度に発酵していく。やがて、まるでそれが必然であるかのように、2人は触れ合い、激しく求め合うようになっていく。　　九と体を重ねることで初めて屋島は自分の中の「女」を受け入れることができるようになっていく。　　しかし、ほどなく屋島は九とその父親の姦淫を目撃してしまう。欲望と嫉妬は、すべてのバランスを崩していく―。

简介：The story revolves around Jeanne, a brilliant architect who is entrusted with the renovation of a sumptuous manor house belonging to the rather strange Daguerre family, who sit atop a board games empire. When family patriarch César is found murdered, Jeanne is drawn into a real-life murder mystery aimed at unmasking the assassin…

简介：萨米（劳拉·琳妮 Laura Linney 饰）和特里（马克·鲁弗洛 Mark Ruffalo 饰）都是无依无靠的孤儿，这一共同点让他们彼此之间产生了坚固的友谊。无奈岁月无情，将两人分隔两地，多年后，萨米成为了一个勤恳又贤惠的单身母亲，带着8岁的儿子鲁迪（罗瑞·卡尔金 Rory Culkin 饰）享受着安稳又平静的生活，而特里却四处流浪，在肆意放纵的同时麻烦缠身。　　一次机缘巧合之下，这两个童年相依为命的孤儿重逢了。在萨米的家庭里，特里找到了久违的温暖和安宁。面对邻居们的质疑，萨米毫不犹豫的站在了特里的这一边，为了成为一个“配得上”这个家庭的男人，特里也在不断的做着改变。可现实并不如想象中的美好，即便萨米和特里两人相互信任和依靠，可问题和麻烦还是接踵而至。

简介：衣笠幸夫（本木雅弘 饰）是一位小有名气的作家，和妻子夏子（深津绘里 饰）结婚多年，感情早已经由最初的炙热走向了平淡。尽管夏子一直以自己的温柔和坦诚包容着幸夫，但幸夫不仅不为所动，甚至以冷漠和粗暴回应，只因为幸夫的心里已经有了另外一个女人福永（黑木华 饰）。　　某日，夏子和 好友（堀内敬子 饰）结伴出游，哪知道乘坐的大巴半路上遭遇了车祸，两人不幸遇难。得知了妻子死去的消息，幸夫虽然内心里没有一丝波动，却还是在表面上装作悲痛的模样。之后，幸夫的生活陷入了混乱之中，负责他的编辑唾弃他，福永也离开了他，直到有一天，夏子好友的丈夫找到了幸夫，拜托他帮忙照顾自己的两个孩子，在此过程中，幸夫渐渐学会了正视自己的软弱和不堪，重新找到了人生的意义。

简介：“江湖女骗子”白娜（章若楠 饰）与“小镇憨憨男”方耀东（吴昱翰 饰）在船上不打不相识，谁料冤家路窄白娜阴差阳错竟被当成方耀东媳妇，受到方家人的热情款待。而方耀东为了戳穿白娜谎言、赢回家人信任，与白娜斗智斗勇惹出笑料不断，家庭保卫战一触即发，“女骗子”与“男憨憨”高手过招会如何相爱相杀？

简介：为了拯救关门大吉的歌剧院，在歌剧院长大的女孩肯德尔让风尚合唱团的成员重新团聚，并且在她们最初的舞台上做一场圣诞表演。

简介：该剧改编自丹书光光的小说《向阳奔跑》，讲述了五个迥然不同的年轻人的青春故事。

简介：Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.