4.0 |05月18日 |HD
简介:

柯莱特(凡妮莎·帕拉迪丝 Vanessa Paradis 饰)是一名刚刚入行没多久的雏妓,尚且保持着天真而又单纯的内心,已经善良的品性。一天,柯莱特的朋友找到了她,希望她能够找到并且收留自己的孩子比利(樊尚·罗蒂埃 Vincent Rottiers 饰),虽然对于柯莱特而言,抚养一个孩子的这份责任有些过于沉重了,但是对于比利,她另有自己的一番算盘。                                                                        就这样,柯莱特和比利开始了他们的同居生活,现实并不像柯莱特所想象的那么简单。比利刚刚进入青春叛逆期,正是处处要唱反调的年龄,两人之间不断的因为各种各样的小事而爆发争吵,不仅如此,在比利和柯莱特之间,还流动着另一种别样的情愫。

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欧洲的某个地方
645
6.0
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欧洲的某个地方
6.0
更新时间:05月19日
主演:ArtúrSomlay,MiklósGábor,ZsuzsaBánki
简介:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
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1948
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主演:ArtúrSomlay,MiklósGábor,ZsuzsaBánki
海边的曼彻斯特
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更新时间:05月19日
主演:卡西·阿弗莱克,卢卡斯·赫奇斯,米歇尔·威廉姆斯,C·J·威尔逊,凯尔·钱德勒,卡拉·海沃德,格瑞辰·摩尔,泰特·多诺万,埃里卡·麦克德莫特,希瑟·伯恩斯,蜜西·雅格,斯蒂芬·亨德森,本·汉森,玛丽·梅伦,安东尼·埃斯特拉,苏珊·波尔法,罗伯特·塞拉,卡罗琳·皮克曼,约什·汉密尔顿,肖恩·菲茨吉本,肯尼思·洛纳根,安娜·巴瑞辛尼科夫,利亚姆·麦克尼尔,马修·布罗德里克,Kt·巴达萨罗,威廉·博恩凯塞尔,弗兰克·达戈斯蒂诺,托马斯·马里亚诺
简介:李(卡西·阿弗莱克 Casey Affleck 饰)是一名颓废压抑的修理工,在得知哥哥乔伊(凯尔·钱德勒 Kyle Chandler 饰)去世的消息后,李回到了故乡——海边的曼彻斯特处理乔伊的后事。根据乔伊的遗嘱,李将会成为乔伊的儿子帕特里克(卢卡斯·赫奇斯 Lucas Hedg es 饰)的监护人,李打算将帕特里克带回波士顿,但很显然帕特里克并不愿意离开家乡和朋友们,但李亦不愿在这片伤心地久留。  原来,曼彻斯特埋藏着李的一段绝望的回忆,他的过失使得三个孩子葬身火海,妻子兰迪(米歇尔·威廉姆斯 Michelle Williams 饰)亦因此而离开了他。此次重回故乡,李再度见到了已经再婚并且即将做妈妈的兰迪,与此同时,帕特里克那失踪已久的母亲艾丽斯(格瑞辰·摩尔 Gretchen Mol 饰)亦联系上了帕特里克,希望他能够成为她的新家庭中的一员。
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主演:卡西·阿弗莱克,卢卡斯·赫奇斯,米歇尔·威廉姆斯,C·J·威尔逊,凯尔·钱德勒,卡拉·海沃德,格瑞辰·摩尔,泰特·多诺万,埃里卡·麦克德莫特,希瑟·伯恩斯,蜜西·雅格,斯蒂芬·亨德森,本·汉森,玛丽·梅伦,安东尼·埃斯特拉,苏珊·波尔法,罗伯特·塞拉,卡罗琳·皮克曼,约什·汉密尔顿,肖恩·菲茨吉本,肯尼思·洛纳根,安娜·巴瑞辛尼科夫,利亚姆·麦克尼尔,马修·布罗德里克,Kt·巴达萨罗,威廉·博恩凯塞尔,弗兰克·达戈斯蒂诺,托马斯·马里亚诺
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