5.0 |06月05日 |更新至17集
简介:

该剧讲述了农村青年妇女梁二妮,在村集体亏空欠债的情况下,帮助困难户,解决村民看病难、上学难的一系列问题,发展乡村旅游产业的故事。塑造了基层党支部书记梁二妮为群众谋福利,为村庄谋发展的人物形象。

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870
4.0
已完结
魔鬼的精神
4.0
更新时间:05月18日
主演:杰森·弗莱明,安德烈·斯莫利亚科夫,阿雷克西·查多夫,阿格尼娅·蒂科夫斯特,YuriyTsurilo,OlgaZaytseva,AleksandrYakovlev,伊戈尔·日日金,瓦列里·佐洛图欣,尼娜·鲁斯拉诺娃,维克托·贝奇科夫,IvanMokhovikov,AnatoliGushchin,阿列克谢·彼得鲁欣,AleksandrKarpov
简介:18世纪初,在喀尔巴阡山脉东边的原始丛林腹地,古老而闭塞的村庄,妙龄少女在夜晚惨遭杀害。恶魔的气息弥漫森林四处,被诅咒的土地上,邪灵降临,为当地人带来最为恐怖的噩梦。与此同时,年轻孟浪的英国科学家和制图家乔纳森·格林(杰森·弗莱明 Jason Flemyng 饰)和富家小姐的恋情被对方父亲发觉,遭到怒骂和驱逐的乔纳森带着对女孩的眷恋踏上东去的旅途,期间他迷失了道路,稀里糊涂来到了那座被诅咒的村庄。他从当地人那里听说了关于撒旦、女巫的传说,但是这位牛顿的学生对超自然现象抱有深深的怀疑。  令人不敢相信的奇异旅程,改变命运的重要时刻……
284
2014
魔鬼的精神
主演:杰森·弗莱明,安德烈·斯莫利亚科夫,阿雷克西·查多夫,阿格尼娅·蒂科夫斯特,YuriyTsurilo,OlgaZaytseva,AleksandrYakovlev,伊戈尔·日日金,瓦列里·佐洛图欣,尼娜·鲁斯拉诺娃,维克托·贝奇科夫,IvanMokhovikov,AnatoliGushchin,阿列克谢·彼得鲁欣,AleksandrKarpov
丹麦小村教堂
828
1.0
已完结
丹麦小村教堂
1.0
更新时间:05月18日
主演:IbKoch-Olsen
简介:The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.  Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.  The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.  In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.  On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.  Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.  The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
751
1947
丹麦小村教堂
主演:IbKoch-Olsen
曾武华事件
427
4.0
已完结
曾武华事件
4.0
更新时间:05月18日
主演:未知
简介:曾武华事件  拍摄地点:湖北省神农架林区  制作资助:下河迷仓  制片人:向华  协助统筹:吴威德  胡海天  这部电影是在偶然情境下随性拍摄的。我知晓此事并决定拍摄是即时的、随性的,拍摄方式基于自然的观望。在中国中部大山深处的封闭村落,政策性的事件基本不会招致围观。现场的人员以事件当事人、行政人员、当事人亲属和若干围观者为主。在公众意识中,有伤风化的事件一般不会招致围观,原因是观看此类事件是无理的、不道德的。在人们的传统观看视野中,观看有伤风化的事件被隐秘地认定为不道德。于是,作为围观者的拍摄者,其身份不是当事人和当事人亲属、也不是行政人员,剩下的就只是一个围观者了。不过,鉴于持机器的人被当地人“赋予”了行政人员的权利,由此,我认为这部电影的观看是以行政人员的视野进行的。我与处理此事件的行政人员一样,简单地了解了事件原委,并依照法和制度约定来即时定断。  电影并没有作深入的事件性呈现。它试图将行政人员处理此事件的过程,以客观的、带距离的方式记录。我想,对现行公众机制的运行以自然的形象和机能来记录,可为未来的机制研究保存生动、人性、具象的档案。我称这类记录方式为“还原”。“还原”的行动承载档案功能的同时,其内层自然的形象和机能也不时释放美与诗的朴素光辉。
2272
2006
曾武华事件
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