距今一万年前的美洲，阿卡尼文明盛行一时，阿卡尼相信世界分为光明与黑暗两个世界，彼此间存在联络之门。有记载称阿卡尼曾打开两个世界间的门，使一些魔物肆虐世间，随后阿卡尼神秘灭亡。20世纪60年代，政府成立超自然研究部门713局，委派莱昂内尔•哈金斯博士（Matthew Walker 饰）研究阿卡尼文明，但他的研究随后被推翻。哈金斯躲在一个小岛，对儿童进行残酷的秘密试验，使他们和魔物融为一体。
　　21世纪初，各地接连发生儿童失踪案件，超自然现象调查员爱德华•卡比（Christian Slater 饰）受命前往小岛调查，但他才出机场，便遭到神秘之人的攻击。这一切注定他的旅程艰险无比……

Diana, a young woman who lost her sight, finds a guide in a Chinese boy named Chin. Together they will track down a dangerous killer th rough the darkness of Italy.

　　美国爆发xb疫情,科学家束手无策,历史上曾有人治愈过该病,无奈资料被毁,科学家们只得使用时间机器回到过去寻找,不料却遇到了1871芝加哥大火灾。。一部伤感的经典科幻片，正大剧场好像播出过

　　影片讲述一个19世纪的巴西人，让庄园主的三个女儿都怀了孕后，被流放到西部非洲从事贩卖奴隶的勾当。他为了达到目的，跟当地人建立交情，甚至推翻了一个疯狂的君主，自立为王。几年过去了，他越来越有钱，也越来越大胆。

　　40-year-old Amelia who is hit by a bus on her birthday. When she wakes up, she suddenly finds the year is 2002 and Amelia is 18 again - allowing her to right all the mistakes she made the first time round.But as she finds herself stuck in a "Groundhog Day" time loop - waking up every morning on her 18th birthday - she realizes there's something else going on that will need to be fixed before she can leave the past behind forever.

　　Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
　　The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!

　　眼尖的他發現：那幅畫作應是出自俄國大師列賓之手...
　　住在赫爾辛基畫的商奧拉維，總將藝術與工作視為第一，甚至因此忽略了家庭和親人。在退休前的一場拍賣會上，一幅塵封的畫作，意外吸引了奧拉維的注意。他眼尖發現：那幅畫作應該是出自俄國現實主義大師列賓（Ilya Repin）之手！奈何畫作上並未署名，加上拍賣目錄資料無多，致使價格低落、乏人問津...。
　　
　　嗅到商機的奧拉維，決定在退休前再幹最後一筆交易，只要證實該畫確屬列賓真跡，立刻價值連城，他就能從中大撈一筆...。此時，奧拉維多年不見的女兒蕾拉突然出現，拜託他代為照顧15歲的孫子奧多。為避免打草驚蛇，奧拉維於是叫奧多去調查畫作背景，自己則四處借貸購畫的資金。
　　
　　奧多查出該畫作確實為列賓所繪，此時資金借貸到位的奧拉維，決定要孤注一擲。但讓他最感納悶的是：列賓為何要匿名作畫？而這幅未署名的畫作，又如何能證據出自他手，並飆出驚人的銷售記錄？