妻子去世后，克劳德在与秘密生活在一起时，表面显得正常,实际上内心挣扎.

　　Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.
　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.
　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

　　所谓的无船员的船携带咖啡驶入纽约,但是当警察和一些科学家在船上发现了船员可怕的尸体和大量的盒子装满绿色虫蛋。爆炸的时候蛋温度升高和任何人谁接触的物质都会爆炸。现在政府介入和幸存的军官,一名上校和一名宇航员发现这些蛋可能与灾难性的火星任务有关。

　　我们真的了解父母吗? Anouk, 14岁, 在一个观察实践（实习）中发现了妈妈在保险公司工作时的另一个面目. 在成年人工作世界中整整一周的体验将怯懦胆小的小女孩的年轻命运彻底浇灌定型。启蒙，责任，理想与现实的裂痕，都是与孩童时代的道别.

　　Dynamic Alan Gaskell captains a ship bound from Hong Kong to Singapore. Gaskell tries to turn over a new leaf from his hard-drinking lifestyle after becoming re-attached to a refined high class English lady, Sybil Barclay. His former girlfriend Dolly is extremely jealous of the budding relationship and tries hard to get the Captain back. He is apparently unimpressed with her loud, obnoxious, and uncivilized manners, even though she is extremely beautiful. After a temporary takeover of the ship by gold-seeking Asian pirates, Captain Gaskell must deal with the fact that Dolly and her drinking pal, Jamesey MacArdle, are implicated in the crime.

　　When Owen is forced to confront the past he's been running from his whole adult life, he and his girlfriend, Isabel, become entangled in a horrifying web of lies, deceit and murder.

A cloaked figure slips into an exclusive psychiatric clinic and murders one of the female patients. Meanwhile, various sexuals liaisons are revealed. The mystery killer continues with his massacre: he beheads a nurse with a scythe, pushes a chauffeur into a spiked “Iron Maiden”, strangles an older female patient, kills a nymphomaniac with an axe, and shoots a lesbian through the neck with a crossbow. Doctor Clay and the police set a trap for the killer using one of the attractive female patients as bait. However, they are not prepared for the onslaugth that follows…

一位美食和美酒评论家，在不小心参观了一家她过去经营的酒厂时撞到了她的头并失去了记忆，该酒厂由单身父亲迈克尔拥有和经营。

富有的克鲁上校和她的女儿萨拉（利塞尔•马修斯 Liesel Matthews 饰）在印度度过了一段幸福美好的时光。直到战争爆发，因为萨拉的母亲在她出生的时候就去世了，上战场前，克鲁上校不得不把萨拉送到了纽约著名的米切恩女子学校，将女儿委托给了米切恩夫人代为照顾，并留下了一笔不菲的报酬，以便自己走后女儿生活无忧。米切恩夫人看在这笔丰厚酬劳的面子上，给萨拉安排了最大最好的房间，即使是在违背校规的情况下也默许萨拉带着母亲留给她的项链。天真活泼的萨拉总是有一些奇思妙想的小故事，让她很快和其他孩子融洽的相处起来。在大家的簇拥下，萨拉俨然过着小公主一般的生活。但天有不测风云，就在她生日那天，前线却突然传来了她父亲阵亡的消息，萨拉成了孤儿，米切恩夫人开始暴露出她贪婪势利的本性，萨拉的生活轨迹开始发生变化…                                                                      　　本片改编自弗朗西斯•霍奇森•伯内特同名小说《小公主》。

音乐剧《摇滚红与黑》改编自法国著名作家司汤达的名著《红与黑》。于连（Côme 饰）是木匠的儿子，出生于贫困的家庭之中。做梦都想要跨越阶级跻身名流的他得到了一个机会，来到了市长家成为了那里的家庭教师。就此，于连结识了市长夫人德瑞那（Haylen 饰），德瑞那是一个内心里崇尚自由的女子，却被婚姻所舒服，粗俗浅薄的市长带给她的只有痛苦。这时，于连出现了。于连和德瑞那之间的感情犹如干柴遇见了烈火，立刻熊熊燃烧起来，但没过多久，他们的恋情就败露了。                                                                      　　之后，于连经由德瑞那的介绍，来到了侯爵家做秘书，在这里，对感情心灰意冷的于连邂逅了侯爵千金马蒂尔德，马蒂尔德是一个心高气傲的姑娘，对于连忽冷忽热，搅得他心神不宁。之后，于连略施小计最终获得了马蒂尔德的芳心，不仅如此，马蒂尔德的腹中还怀上了他的孩子。

　　特吕弗的第一部彩色片，也是其作品中最富社會及政治意識的一部。在未來世界裡，書籍一概被禁止，讀書便是犯罪，所有書籍都要交出焚毀。消防員的任務不是滅火救人，而是焚書和捕捉讀書人。於是有一些愛書者，把書背熟，希望日後可以流傳，這些人稱為「書人」。男主角本是一個忠心的消防員，焚書是他的職責。有次認識了一個女孩，受到她的影響，漸漸改變了人生觀，發現了書本中原來充滿了靈性的世界。經過這種溫馨親切的心靈生活，使她不能再忍受冷酷無情的機械社會。最後，他偷閱書本的背叛行為被妻子告發，他與情人設法逃往另一個符合他們理想的美麗世界，在那裡有書籍的存在，重複人類真正的生活。
　　改編自美國作家雷·布烈伯里的科幻小說。（電影雙周刊）」

　　故事发生在第二次世界大战期间，美国飞行员大卫（哈里森·福特 Harrison Ford 饰）被派往英国伦敦驻守，在战乱中，大卫邂逅了名为玛格丽特（莱斯利-安·唐恩 Lesley-Anne Down 饰）英国护士，美丽又温柔的玛格丽特一下子就俘获了大卫的心，虽然玛格丽特已经有了自己的家庭和孩子，但这并没有成为他们两人继续来往的阻碍。
　　玛格丽特的丈夫保罗（克里斯托弗·普卢默 Christopher Plummer 饰）在英国情报处工作，在一项特殊的任务中，他受命潜入德军总部，而大卫此时也正在执行轰炸德军总部的任务，两人相遇了。在并不知道彼此的真实身份的情况下，大卫和保罗成为了这场行动中唯二的幸存者，他们必须相互合作彼此帮助才能够顺利的完成任务。

　　对于这个世界闻名的丑角三人组来说，没有任何一种艺术形式是神圣的。他们对侦探片也狠狠地嘲弄了一番：他们揭穿了店主的欺诈行为并以自己独特的方式将商店整理得焕然一新……和几乎所有的马克斯三兄弟的电影一样，情节只充当一根将所有单个场面串联起来的绳子。这座巨大的商店有着数不清的科室、规章条款、各式各样的人以及奇特的行事方式，这一切都给予了三兄弟足够的空间来传播她们恶毒的、毁灭性的幽默。