简介：70多岁的哈里·布朗（迈克尔·凯恩 Michael Caine 饰）是一名退役的皇家海军军官，妻子去世后，靠退休金生活的哈里独自住在贫民窟附近的小公寓。附近的人行隧道是小混混们街头斗殴、毒品交易和肉体买卖的场所，跟布朗下象棋的好朋友，老头子莱昂纳德（大卫·布莱德利 David Bradley 饰）就常被这帮混混骚扰，甚至终被残忍杀害。女警官弗兰普顿（艾米莉·莫迪默 Emily Mortimer 饰）与下属负责调查案件，却因证据不足而不得不释放杀害莱昂纳德的凶手。一把年纪的布朗忍无可忍，决定亲自上阵，铲除混混，为莱昂纳德报仇。　　本片获2010年英国《帝国》电影杂志评选的最佳英国影片、最佳惊悚片及最佳男主角（迈克尔·凯恩）提名，并获伦敦影评人协会最具突破性的英国影人（丹尼尔·巴伯 Daniel Barber）提名。

简介：几个年轻人在去往约书亚树沙漠的旅行途中在不知情地情况下召唤出一个怪物，这怪物通过模仿他们的外表，把他们分开去完成一个致命的仪式...他们的结局会如何呢？

简介：

　　A small town community comes together to eradicate the heroin epidemic from its midst by whatever means necessary.

简介：A 13-year-old girl delivers heroin to some friends of hers in a leafy suburb, as a daily ritual.

简介：阳光明媚的一天，布雷迪·特纳（Mark McLachlan 饰）、克莱尔（Caitlin Martin 饰）和邓肯·麦凯（克丽丝·苏拉里 饰）计划在湖上乘船游览整个加利福尼亚州南部，但是他们本应该快乐的周末却没有延续多久，恐怖可怕的事情就发生了。当他们的船停靠在一个船屋的旁边时，这趟开心的旅程就已经结束了。此...

简介：年轻的耶和华见证会传教士亚娜在一次礼拜中被愤怒的当地人烧毁了她的礼拜场所，她感到十分震惊。她的丈夫大卫设法获得了这次袭击的闭路电视录像。但在他们与年幼的儿子同住的格鲁吉亚偏远村庄里，他对正义的追求引发了一系列事件，他们将发现这个家庭被完全孤立，完全听任敌对的当地警察的摆布。

简介：事业有成、意气风发的史蒂文•弗瑞林（Craig T. Nelson 饰）带着妻子戴安（JoBeth Williams 饰）和三个孩子搬进了加利福尼亚某郊外社区。但在入住不久，怪事便频繁发生。先是小女儿卡萝（Heather O'Rourke 饰）梦游，对着自动开启漫屏雪花的电视机自言自语。接着便又不明物体从电视机中飘出，莫名的地震，破碎的玻璃杯……如此种种，搅得弗瑞林一家坐卧不定。过了不久，恐怖事件逐渐升级，卡萝最终竟被拉入电视机中……　　本片荣获1983年美国科幻恐怖电影节最佳恐怖片、最佳化装和最佳女配角（Zelda Rubinstein）三个奖项；1983年英国电视与电影协会最佳特效奖。

简介：扎希拉在比利时的一个巴基斯坦家庭中长大。因为意外怀孕，她现在正坐在一位医生的办公室里询问可以打掉孩子的方法。犹豫不决的希拉决定向朋友和家人寻求帮助。虽然她的家人对她表示了理解和同情，但是却默默帮她物色了三个远房亲戚作为结婚的对象。父母让她从中选择一个，并且觉得女儿已经得到了自己曾经想都不敢想的“自由”。在宗教世俗和追求自己人生的渴望中，扎希拉必须做出选择。

简介：One of the five sci-fi's I remember every single detail of from my earliest days as a fan. For the genre, I think it's considerably above average. The moor is nicely atmospheric. There's one of every character in the book the good guy, the bad guy, the local sheriff, the lovely damsel, her father the old professor, etc. The scene where we're looking for the first time through the window of the ship and the visitor peeks out from the other side is easily as good as the three-fingered-hand-on-the-shoulder in War of the Worlds. Nice character to the visitor, for whom, like Karloff's Frankenstein, we end up feeling some empathy .

简介：A gravedigger prowls the city in search of a female to bear him a son.　　　　José Mojica Marins是巴西最著名的CULT恐怖片电影大师，这是其第一部长片作品，也是其著名的Ze do Caixao系列的第一集，开创了巴西低成本独立电影的新局面。

简介：《舞力对决》又名《街舞3D》，影片被誉为是英国首部3D电影。　　青春靓丽的舞者卡莉（妮可拉·布利 Nichola Burley 饰）的人生正值风光之时，她拥有迷人的帅哥男友杰伊，两人加入的舞蹈团体也刚打入英国街舞冠军总决赛，但杰伊在这个关键时刻却突然离开卡莉及舞团。残酷的现实不仅令卡莉心碎，也让其他团员的梦想岌岌可危。芭蕾舞学校校长海伦娜（夏洛特·兰普林 Charlotte Rampling 饰）被卡莉及其舞团的舞技和热忱打动，伸出援手。他们可以在芭蕾舞学院的豪华舞蹈教室练舞，但要跟芭蕾舞者一起训练，才能得到免费的训练场地。高贵的芭蕾、草根的街舞，这本是两个毫无瓜葛并且还有些不共戴天的舞蹈形式就这么走到了一起。当芭蕾与街舞这两种南辕北辙的舞蹈正面交锋时，冲突随即展开。卡莉的冠军梦想能否最终达成呢？

简介：

简介：

　　4岁的波纳特（薇朵儿·希维索 饰）从父亲口中得知自己的母亲发生车祸后不治身亡了，小波纳特难过得哭了起来，而且由于父亲工作的关系，她需要在阿姨家生活。波纳特不肯承认自己的母亲已经离开自己了，她深信上帝会把母亲重新带到她身边，她常常自己一个躲着大伙，继续期盼母亲出现。 就算父亲、阿姨、表弟表妹如何劝慰她，她还是坚持着自己的信念。
　　上寄宿学校后，同学告诉波纳特上帝是可以帮助她的，而且小波纳特努力要成为上帝的女儿，因为她想要跟上帝说话，跟上帝说把母亲还给她。
　　小波纳特总是无法开心起来，她日夜想念自己的母亲。小小的她独自来到了母亲的墓前，没想到母亲竟然重新出现在她的面前，母亲温柔的教她要面对自己的生活。纵使她不舍得母亲离去，当父亲来接她的时候，她对父亲说，母亲要我学会快乐……

简介：十一個同樣身為成功演員的朋友聚在一起，為的是突然去逝的裘德洛，他的死亡讓他的妻子非常悲傷，她決定製作一張關於他們往日生活的光碟，並強迫大家都要參與，一同面對這段難堪的秘密，充斥著謊言和不忠、丈夫背判妻子、朋友背判朋友，狠狠地街揭開他們的保護色。但是還有更大的秘密等在後頭，漸漸地，內容慢慢導向裘德洛真正的死因，主演是他自己，而他的朋友們則是關鍵的配角...

简介：Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye.　　It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.　　And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).　　Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.　　And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.

简介：一位在韩国城做卡拉ok女招待的年轻女子在父亲生命的最后几天与她疏远的兄弟重逢。　　卡西(Kasie)住在洛杉矶的韩国城(Koreatown)，她是一名卡拉ok女招待，靠酒醉的男人陪伴赚钱。当她父亲的临终关怀护士离职后，她与分居的弟弟凯里重新联系，迫使他们进入了一个强烈的自我反省时期，因为抚养他们长大的单身父亲即将离世。

简介：一个年轻的女孩试图在畸形并且危险的医院找到她受伤的男友……

简介：An American novelist living for a time in London converses with his wife, his mistress, and other female characters he may have dreamed up.

简介：When a young mother is barricaded inside a pantry by her violent ex-boyfriend, she must use ingenuity to protect her two small children from escalating danger while finding an escape.

简介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.　　The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).　　Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH).　　As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.　　The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome.　　For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.　　The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!)　　Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.　　This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from.　　As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.

简介：1973年，七月十日的布拉格，剛滿22歲的歐嘉開著一輛失速的卡車衝上人行道，造成八人死亡。歐嘉對警察說，她是故意的！　　幾天後，地方的報社收到了歐嘉在案發前寄出的自白書，字裡行間不只是她的冷漠與殘酷，更透露出了一個被世人所拒絕的破碎靈魂：中產階級的家庭中她有衣食，卻沒有雙親的關愛，精神狀態與孤獨令她在工作與生活上屢屢碰壁，渴望愛情的她，幾次親密接觸卻無法填補她內心的巨大空虛。她以銳利的目光直視著這個她所不愛的世界，求救的信號來不及抵達，瀕臨極限的歐嘉於是踩下油門。她的衝撞與報復，也將她和人們都推上了無法回頭的道路…

简介：本片出自德国新浪潮电影代表人物之一，《铁皮鼓》导演沃尔克·施隆多夫之手，是一部向法国著名导演让·梅尔维尔致敬的经典作品。影片描写第一次世界大战期间，高贵的索菲女伯爵爱上了一位普通士兵，但动荡的时代，因为这段恋情却给两人带来了可怕的灾难，影片悲伤而凄凉，是导演沃尔克·施隆多夫除《铁皮鼓》以外，最被人认同的大师作品……

简介：阿列克塞（谢尔盖·贝泽鲁科夫 Sergei Bezrukov 饰）是一位非常有名的芭蕾舞演员，却在一次表演中身受重伤，不得不告别舞台。阿列克塞一生都将芭蕾舞表演视作是自己生命的支柱，因此这一重大变故给予了阿列克塞沉重的打击。　　一晃眼二十年过去，阿列克塞的身体状况每况愈下，甚至很快就将会无法行走。然而，越是身陷低谷，阿列克塞就越是无法忘却对于芭蕾舞的热情。在这二十年中，阿列克塞一直都在设计一些难度非常高的芭蕾舞动作，现在，单纯的设计已经再也无法满足他了，他决定再度站上舞台，向病魔宣战。可是，阿列克塞要面对的并非生理上的痛楚这么单纯，他还要抵御周遭人的诋毁和怀疑。

简介：onique Watson, a 12 years old African American girl goes missing from her Brooklyn home. Her father Micheal Watson does everything on his power to find his little girl, he holds himself up through faith and will. The police are having a hard time finding her, when Christian Baker a young New York City journalist from The Chronicle gets assigned to her story. Christian tries to get the assignment done, he quickly and poorly researches the story and goes with the first lead. This brings down an unexpected series of events. Christian with guilt decides to join Micheal on his search and takes upon himself to race time and help find Monique.