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欧洲的某个地方
645
6.0
已完结
欧洲的某个地方
6.0
更新时间:05月19日
主演:ArtúrSomlay,MiklósGábor,ZsuzsaBánki
简介:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
5694
1948
欧洲的某个地方
主演:ArtúrSomlay,MiklósGábor,ZsuzsaBánki
司汤达综合症
416
6.0
已完结
司汤达综合症
6.0
更新时间:05月19日
主演:艾莎·阿基多,托马斯·克莱舒曼,马克·莱昂纳蒂,路易吉·迪贝尔蒂,保罗·博纳切利,朱利安·兰布罗希尼,约翰·昆汀,弗兰科·第欧根尼,LuciaStara,索尼娅·托帕兹奥,洛伦佐·克雷斯皮,薇拉·杰玛,JohnPedeferri,韦罗妮卡·拉扎尔,MarioDiano,桑德罗·吉奥达诺,琴祺雅·蒙内亚勒,GrazianoGiusti
简介:1817年,法国大作家司汤达来到意大利,在佛罗伦萨终日沉醉于文艺复兴时期的大师杰作。一天,他到圣十字教堂参观米开朗基罗、伽利略和马基雅维利的陵墓,刚走出教堂大门,突然感到头脑纷乱,心脏剧烈颤动,每走一步都像要摔倒。医生诊断这是由于频繁欣赏艺术珍品使心理过于激动所至,这种 因强烈的美感而引发的罕见病症从此被称为“司汤达综合症”。  直到今天,佛罗伦萨的医生仍会不时碰到“司汤达综合症”患者,病情严重的甚至要住几天医院。他们多半是狂爱艺术且极具鉴赏力的游客,野心勃勃,要在几天之内扫遍这座文艺复兴中心城市的艺术宝藏,结果却在接踵而来的视觉冲击中不堪重负。但意大利人对“司汤达综合症”有百分之百的免疫力,对他们来说,文艺复兴的辉煌,像空气一样无所不在,从幼年到迟暮,他们的生活里一直流动着达芬奇、米开朗基罗、拉斐尔那个天才时代的气息  电影中的女警官,和当年的司汤达一样,被乌菲齐美术馆美不胜收的藏品折磨得当场昏倒。佛罗伦萨警校肯定不设心理测试这一关,否则她无法毕业。而歹徒又怎么知道她有这个毛病?大概是阿金托透露给他的……
984
1996
司汤达综合症
主演:艾莎·阿基多,托马斯·克莱舒曼,马克·莱昂纳蒂,路易吉·迪贝尔蒂,保罗·博纳切利,朱利安·兰布罗希尼,约翰·昆汀,弗兰科·第欧根尼,LuciaStara,索尼娅·托帕兹奥,洛伦佐·克雷斯皮,薇拉·杰玛,JohnPedeferri,韦罗妮卡·拉扎尔,MarioDiano,桑德罗·吉奥达诺,琴祺雅·蒙内亚勒,GrazianoGiusti
忍者2:撕裂的暗影
995
7.0
已完结
忍者2:撕裂的暗影
7.0
更新时间:05月19日
主演:斯科特·阿金斯,维他亚·潘斯林加姆,小杉健,蒂姆·曼,罗恩·斯穆安伯格,CharlieRuedpokanon,肘井美佳,ErikaNagamine,菅田俊,KazuPatrickTang,MukeshBhatt,JawedElBerni,DavidBueno,TawatwongPiyacysin,YuhkohMatsuguchi
简介:

  身怀绝技、武功高强的凯西·伯曼(斯科特·阿金 Scott Adkins 饰)即将和他最爱的女子奈美子(肘井美佳 饰)步入婚姻殿堂,并迎来属于他们的爱情结晶。某晚,凯西外出购物,而独自在家的奈美子却被入侵者残忍杀害。压抑不住心底的愤懑与悲伤,凯西放纵怒火的喷薄。在此之后,他洗却前尘,背着行囊来到故交中原(小杉健 饰)位于泰国的古贺道场修行,但是丧妻之痛令这个孔武男子无法控制自己的情绪,有如随时暴走的猛兽。某日,道场一位道友被人杀害,而凶手作案手法与杀害奈美子的凶手如出一辙。从中原口中得知,这一切可能正与当年和道场多有瓜葛、而如今成为金三角一代黑帮头目的五郎(菅田俊 饰)所为。
  背负着深仇大恨,凯西再度上路……

6279
2013
忍者2:撕裂的暗影
主演:斯科特·阿金斯,维他亚·潘斯林加姆,小杉健,蒂姆·曼,罗恩·斯穆安伯格,CharlieRuedpokanon,肘井美佳,ErikaNagamine,菅田俊,KazuPatrickTang,MukeshBhatt,JawedElBerni,DavidBueno,TawatwongPiyacysin,YuhkohMatsuguchi
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