Forged in Fire is an American reality television competition series that airs on the History channel, and is produced by Outpost Entert ainment, a Leftfield Entertainment company. In each episode, four bladesmiths compete in a three-round elimination contest to forge bladed weapons, with the overall winner receiving $10000 and the day's championship title. The series is hosted by Wil Willis, with a three-judge panel consisting of J. Neilson, David Baker, and Doug Marcaida, experts in weapon history and use. During Season 3, Neilson took a leave of absence in order to have surgery on his hand; Jason Knight, another ABS Master Smith, filled his seat on the judges' panel during this time.
《妙不可言》第二季立足“妙”字，以“寻奇探妙”为主题，以“答题竞猜”为形式，内容涵盖大国重器、尖端科技、非遗传承、历史人文等诸多领域。节目融入脱口秀、微短剧等综艺元素，增加专业知识性、环节趣味性以及内容互动性，让综艺服务于文化。通过XR表演秀、AIGC短片等技术手段，节目力求将文化脉络的精髓通过生动有趣的方式层层传递，在增强民族自豪感、自信心的同时，向世界推荐河北，讲好新时代河北故事。
2005年，一伙窃贼潜入巴西福塔雷萨的银行金库，盗走1.6亿多雷亚尔。本系列纪录片讲述了这起史上著名的大型盗窃案
《今天只做一「健」事》是個 【為幫市民解決一切健康相關和「身、心、 靈」的問題】 的資訊清談節目。一星期五集將會以五個單元，圍繞著五個不同的出發點：「 人人關健事」、「無料做膳事」、「教你運Gut事」、「八卦周 圍事」、「身心有趣事／週末救心遊」。每星期一連五日，主持人將分別從「人際關係、飲食食療、運動健身、 環境外物、身心靈」五大方向中選擇最適合的健康資訊帶給觀眾。運動、飲食 至到生活習慣一切與健康都會屬於大家的「醫健事」，而心靈和情緒更是不容忽視，所以本節目將會全方位集中「身、心、靈」的資訊給大家。希望觀眾看完《今天只做一「健」事》後，無論在任何處境和身份之下碰到健康難題都可以處變不驚，解決港人的疑難和雜症。
讲述一下子就成了乡村超市社长的都市男人们的乡村超市营业日志的综艺节目，是去年因温暖治愈综艺而备受好评的《首尔乡巴佬》的制作团队再次合作的新项目。
东方卫视大型女性才艺情感节目《妈妈咪呀》第八季定档，于4月15日起，每周六20:30播出。延续《妈妈咪呀》IP对于妈妈群体的关注，新一季的节目将聚焦新时代的妈妈们，挖掘她们的万千可能与精彩人生。此外，全新的舞台回归，并邀请到谢楠、傅首尔和百克力担任节目观察员，重拾对妈妈群体的关注，多维度展现当代女性独立、自主、自信的魅力与风采。
德云社张鹤伦郎鹤炎相声专场福州站爆笑来袭。本场节目包括李九重、李九江表演的《卖估衣》；张鹤伦、郎鹤炎表演的《曾经的遗憾》；郑好、杨进明表演的《评书漫谈》；张鹤伦、郎鹤炎表演的《劳动号子》；张鹤帆、李斯明表演的《礼仪漫谈》；张鹤伦、郎鹤炎表演的《好伦哥》。
1992年，中央电视台开办“电视书场”栏目，由汪文华主持，陆续播映了田连元、单田芳、刘兰芳、王林茂、袁阔成等评书大师的作品。 20世纪90年代，电视上出现了一股评书热，从地方台到中央台，很多频道都开播了电视评书类节目。央视的《电视书场》是其中的一个，虽然不是最早的评书节目，但有赖于央视的覆盖面，《电视书场》无疑是影响最广的一个。相信不少人至今能哼唱《电视书场》的片头曲——盘古开天地，地久天长，长话短说，谈古论今…… CCTV-1每天中午12点35分，在播完《新闻三十分》后播出电视书场，每期20分钟。播过的评书包括： 田连元《杨家将》《水浒传》 刘兰芳《朱元璋演义》《岳飞传》 袁阔成《三国演义》《西楚霸王》 单田芳《封神演义》《曾国藩》《栾蒲包与丰泽园》《林则徐》 刘立福《聊斋志异—宫梦弼》 王林茂《罗汉擂》《双合印》 张少佐《豪气惊天》《杨家神枪》等等。 该节目已于2003年停播。
一桌家常菜是打开心门的钥匙，一方水土是承载情感的容器。《去你家吃饭好吗3》延续前两季温暖基调，带来六个全新的"家宴、家人、家乡"动人故事。他们以"回家吃饭"为情感纽带，品味家常美食，回味旧时记忆，在熟悉的烟火气中展开关于亲情、友情与乡情的深度对话。
中央广播电视总台文艺节目中心音乐人才选拔类节目《中国唱将》，首创“国家级音乐人才集训营”，全力托举，锻造新声。
腾讯视频《我不恋爱的理由》定档，11月24日起，每周四周五中午12:00播出。当我们讨论恋爱，我们想要得到什么答案？终其一生，我们都在寻找亲密关系的终极奥义。我们在一起，探索关于爱的象限。爱或不爱，都对自己坦然。
Ancient Worlds is about people and places, politics and economics, art and war, trade and technology, but above all it’s the story of the painful birth and difficult growth of a radical idea first tried and tested some six thousand years ago, and which we are still struggling with today; civilisation. Civilisation has not come easily; it’s something we’ve had to fight hard to achieve, and even harder to maintain, and the greatest threats to it have come from our own talents for destruction. But when we’ve managed to get it right, the benefits have been enormous. When we talk about the ancient world we tend to think of rare and exotic artefacts or the monumental remains of epic architecture; but these are just the empty shells that got left behind when the tide of history turned! The living creatures, the civilisations, that once inhabited these shells were rarely if ever static or stately; they were dynamic, chaotic, and always threatening to spin out of control, because civilisation is based on an improbable idea; that strangers can live and work together in dense urban settings, forging new allegiances that replace the natural ties of family, clan or tribe. It’s an idea we’re still coming to terms with today, but one of the best ways to understand the challenges that are involved is to look at how our ancestors tackled them the first time around. From ancient Iraq to Imperial Rome, Ancient Worlds examines how our ancestors struggled with the levers of religion and politics, art and culture, war and diplomacy, technology and trade in order to keep the complex machinery of their civilisations turning over. Their insights and blind-spots, their breakthroughs and dead ends, their triumphs and disasters are the milestones on the long and winding road that leads directly from their ancient to our modern world.
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